The $200 million deal the Met Opera made with Saudi Arabia last fall, for a three-week residency at the new Royal Diriyah Opera House, is apparently looking a little shaky. As a result, the Met has announced significant cuts, including laying off … » Read

The four-performance run of What to Wear, the music-theater piece defying conventional expectations of narrative clarity, was sold out. On viewing its New York premiere, by the PROTOTYPE Festival January 15 at BAM’s Harvey Theater, its … » Read

The Music Collection at the Library of Congress (LOC), one of the nation’s treasures, made a number of significant additions to its collections in 2025, building on existing strengths in composers, manuscripts, and instruments while also … » Read

The Cleveland Orchestra’s sophisticated and rigorous performances have given it a reputation as one of America’s finest orchestras. Why it is so good became evident over a three-day period in the eyes of a New York Times critic … » Read

The Colorado Symphony is gearing up for a quick trip to New York City, January 30-February 1, appearing in two very different venues with two very different headliners. The first (Jan 30, 31), at Radio City Music Hall, features fellow Boulder-ite … » Read

The Philharmonie de Paris will be the site of the 4 th edition of La Maestra International Competition for Women Conductors, from February 23–28, 2026. The biennial event, presented by the Paris Mozart Orchestra and the Philharmonie de … » Read

Touring the U.S. has never been easy or inexpensive for artists from abroad. The time and expense of obtaining a visa have been daunting for decades, and with the Trump administration’s recent introduction of restrictive travel bans, the … » Read

London-born conductor, chorus master, and composer Howard Arman is to be the new conductor of the Munich Bach-Choir & Munich Bach-Orchestra and the Munich Bach Academy as of the 2026-27 season. He succeeds Johanna Soller, conductor, … » Read

“Does good art need to be popular art to be worthwhile art?” asks Michael Andor Brodeur, the Washington Post’s classical music critic in a recent column. It’s a fair question, particularly in light of the current … » Read

Precisely one week after publicly disclosing its exit from the Kennedy Center , the Washington National Opera has announced its plans for the coming months, along with a flood of donations from over 500 individuals, prompted by its decision to … » Read