The 2025-26 season of the Pittsburgh Symphony Orchestra (PSO), the 129 th in the ensemble’s history, launches on Sept. 20 with a gala performance featuring Yuja Wang, and concludes in June with a two-week festival, America250, that … » Read

NEW YORK (AP)—The Metropolitan Opera will double cast a portion of Verdi and Puccini revivals and shift some contemporary compositions away from Saturdays at the recommendation of a consultant trying to boost the company’s finances. … » Read

CHICAGO—Somewhere, Pierre Boulez is turning in his grave. The Chicago Symphony enjoyed a long association with the conductor–composer, culminating in an appointment as conductor emeritus from 2006 to 2010. But in what would have … » Read

The Naxos Music Group has made a number of changes in its senior management. Matthias Lutzweiler, who has been acting CEO since last October, is now the permanent Chief Executive Officer, effective immediately. Jeffrey Lien, CEO of Naxos of … » Read

From June to September 2025, the LA Philharmonic’s 103 rd Hollywood Bowl season will present an ambitious mix of classical music with performances by some of today’s leading popular pop, rock, hip-hop, jazz, and Broadway artists. The … » Read

From May 14 to 23, Jaap van Zweden will lead the Chicago Symphony Orchestra (CSO) on a five-city, eight-concert European tour devoted entirely to Gustav Mahler’s Symphonies No. 6 and No. 7. This marks the first time the Dutchman Zweden has … » Read

Growing up in Venezuela, Samuel Mariño was “so passionate” about being a ballet dancer. “It was hard so it was worth it,” he tells The Guardian . But singing would ultimately prove to be his salvation. As a … » Read

Edward J. Lewis III has announced that he will step down as president and CEO of Caramoor, the 90-acre estate and arts center in Katonah, NY,  at the end of March. He has not indicated what his next move may be; Lewis will have been in the … » Read

LONDON—Where to begin with Festen , the explosive new opera by Mark-Anthony Turnage? At the end, perhaps, when a dazed first-night audience staggered to its collective feet to applaud a tour de force? Or the moment in the 100-minute evening … » Read

When Samuel Barber’s Vanessa opened at the Metropolitan Opera in January 1958, it was the first time in more than two decades that the company had premiered an American opera. There were 17 curtain calls, and the New York Times critic … » Read