NEWS ROUNDUP


Industry News

Detroit Opera in 2022-23: 'A Galvanic River of Energy'

April 27, 2022 | Susan Elliott, Musical America
“Something extraordinary is brewing [with]in Detroit Opera,” Osvaldo Golijov comments in the Detroit Opera 2022-23 season announcement. The Argentine composer’s Ainadamar ( “Fountain of Tears” ) is on company’s … » Read
 

Reviews

Xian Zhang Leads the LSO in a Program of Mixed Moods and Distant Voices

April 27, 2022 | Clive Paget, Musical America
With major roles in the U.S. and Australia, Chinese-American conductor Xian Zhang is in demand. Now in her sixth season as music director of the New Jersey Symphony Orchestra, she has long-term relationships with both the New York Philharmonic … » Read
 

Industry News

Moscow Symphony Conductor Resigns, as His Colleagues Are Punished for Speaking Out

April 27, 2022 | Taylor Grant, Musical America
From the outset of its invasion of Ukraine, the Russian government has made it crystal clear that dissent is not to be tolerated. New laws and regulations forbade criticism of the war; anyone spreading information other than that provided by the … » Read
 

Industry News

A Wealth of Women Conductors—for a Change

April 27, 2022 | Sarah Shay, Musical America
In May, four of the five guest conductors for the San Francisco Symphony are women, beginning with Xian Zhang, the Chinese American music director of the New Jersey Symphony Orchestra. Following her in short order are Karina Canellakis, the New … » Read
 

Industry News

New Ukrainian Freedom Orchestra, Led by Keri-Lynn Wilson, to Tour

April 26, 2022 | Susan Elliott, Musical America
The Metropolitan Opera and the Polish National Opera have announced the formation and tour of the Ukrainian Freedom Orchestra, comprised of recent refugees, Ukrainian members of European orchestras, and top musicians of Kyiv, Lviv, Kharkiv, … » Read
 

Industry News

Women Lead Carnegie Hall's Key Programs in 2022-23

April 26, 2022 | Susan Elliott, Musical America
Choosing exceptional women as its two Perspectives artists and single Creative Chair occupant, Carnegie Hall has declared itself in 2022-23 focused on “contributions made by women,” be they composers, conductors, or performers. … » Read
 

Reviews

Anthony Roth Costanzo Is Handel's Amadigi di Gaula

April 26, 2022 | Clive Paget, Musical America
Last year, Boston Baroque announced a five-program, digital-only season for 2021-2022, a bold decision buoyed by its experience of streaming during the pandemic, which saw it picking up viewers and subscribers across five continents. In … » Read
 

People in the News

Glyndebourne Gets a New Managing Director

April 26, 2022 | Anthony Brown, Musical America
In autumn, Richard Davidson-Houston will become the new managing director of Glyndebourne. He replaces Sarah Hopwood, who is retiring in October after 25 years in the post. As managing director, he will work closely with Stephen Langridge, the … » Read
 

People in the News

Contract Renewals, from Hamburg to Cincinnati to Taipei

April 26, 2022 | Susan Elliott, Musical America
Christoph Lieben-Seutter’ s contract as general and artistic director of Hamburg’s Elbphilharmonie and Laeiszhalle has been extended five years, through 2029; the extension comes two years ahead of the end of his current contract. … » Read
 

Industry News

Saving Mills College and the Center for Contemporary Music

April 26, 2022 | Taylor Grant, Musical America
Thirteen months ago Mills College in Oakland, CA. announced that it would  cease enrolling new students due to declining enrollment and budget deficits. While a reprieve may be in the offing—Boston’s Northeastern University has … » Read
 
 

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