Among the numerous responses by Russian artists to the invasion of Ukraine, the most notable thus far is that of Tugan Sokhiev, musical director and principal conductor of the Bolshoi Theater in Moscow and musical director of the Capitol National … » Read

LONDON--Only a handful of living pianists could sell out London’s Festival Hall on a wet Tuesday night, but Maurizio Pollini is certainly one of them. His March 1, 80th birthday recital was not just an opportunity to witness the wisdom and … » Read

The Dallas Symphony Orchestra’s 2022-2023 season marks the third for music director Fabio Luisi, who will be on the podium for nine concerts, including the Oct. 1 gala featuring mezzo-soprano Susan Graham and baritone Thomas Hampson in an … » Read

The Metropolitan Opera’s return from its February break almost feels like the start of a new season. Its new production of Verdi’s Don Carlos , introduced on Monday , was followed the next day (March 1) by the welcome return of the … » Read

Individual classical artists as well as presenting organizations around the world are trying to figure out how best to respond to the Russian invasion of Ukraine. While the moral imperatives may seem clear, there exist no agreed-upon guidelines … » Read

On March 1 two Russian cruise missiles struck Freedom Square in the heart of Kharkiv, Ukraine’s second largest city, damaging the opera house, concert hall, and government offices. “This is not a random mistaken salvo, but a conscious … » Read

Calling the Russian invasion of Ukraine “reprehensible and heartbreaking,” citing its namesake’s historic 1958 Tchaikovsky Competition win in Moscow, the Cliburn Competition will let its Russian contestants come to the U.S. to … » Read

As anticipated, Anna Netrebko will not be performing at the Metropolitan Opera for any of her upcoming scheduled performances: Puccini’s Tosca this April and May and Verdi's  Don Carlos next season. On Monday, Met General Manager Peter … » Read

Some opera directors try to lend old works new relevance by staging them in a contemporary setting. David McVicar’s bleakly faithful new production of Verdi’s Don Carlos , which opened at the Metropolitan Opera on Monday, took no such … » Read

The brouhaha has settled down and the three concerts—or at least the two I attended—by the Vienna Philharmonic in Carnegie Hall February 25-27 went off as smoothly as anyone could have wanted. In the hours before the first downbeat, … » Read