REVIEWS


Reviews

In LA, Mälkki Conducts Stateside Premiere of Saariaho's Bleak Vistas

November 4, 2021 | James Paulk, Musical America
Finnish composer Kaija Saariaho’s Vista had its belated-due-to-the-pandemic world premiere last May at the Helsinki Philharmonic before making the rounds to the Berlin and Oslo philharmonics. Susanna Mälkki conducted them all, so it … » Read
 

Reviews

Arvo Pärt, Seamlessly Rendered, in the Temple of Dendur

November 3, 2021 | David Patrick Stearns, Musical America
Though Arvo Pärt enjoys mainstream popularity that has only escalated as he has turned 86, the Sunday afternoon retrospective concert at the Metropolitan Museum of Art shows how much this Estonian composer remains an artistic voice as … » Read
 

Reviews

At the ENO: Fun and Frolic in HMS Pinafore

November 2, 2021 | Mark Valencia, Musical America
LONDON--Never mind the why and wherefore, but HMS Pinafore is the Gilbert and Sullivan opera I find hardest to love. Perhaps it’s because in their next collaboration, the ever-seaworthy Pirates of Penzance , they trod similar ground with … » Read
 

Reviews

Munich's New Nose Is a 'Howling Indictment'

November 1, 2021 | James Imam, Musical America
MILAN--By choosing to unveil a new era at the Bayerische Staatsoper with Shostakovich’s The Nose , Intendent Serge Dorny did not opt for the easy route. The rarely performed opera is far from a guaranteed crowd pleaser, its enormous score … » Read
 

Reviews

A Refreshing, Notable Debut at the New York Philharmonic

October 26, 2021 | Susan Elliott, Musical America
For those who prefer their orchestral repertoire more on the recent side of the 20 th century than the past, the New York Philharmonic’s program last week was just too enticing to pass up. Add a conductor in her Phil debut and a clarinet … » Read
 

Reviews

Jonas Kaufmann in Recital: Different Takeaways from Different Critics

October 26, 2021 | Taylor Grant, Musical America
Tenor Jonas Kaufmann is arguably today’s reigning opera divo—a magnetic performer who looks every bit as good as he sounds. His appearances in the U.S.—rare in recent years due both to the pandemic and some health … » Read
 

Reviews

Dudamel and the LA Phil Take on Mahler 4 and a Mackey Premiere

October 25, 2021 | Richard S. Ginell, Musical America
LOS ANGELES – Gustavo Dudamel’s second subscription program since the Los Angeles Philharmonic returned to Walt Disney Concert Hall aimed at two of his main interests – new music and Mahler. It also marked a re-entry … » Read
 

Reviews

An Unlikely Voyage Launches Philharmonia Baroque's New Music Director

October 20, 2021 | Steven Winn, Musical America
For his delayed season-opening set of concerts as Philharmonia Baroque’s new music director, Richard Egarr strode decisively into the 19th century. “Schumann’s Reawakened Masterpieces,” as the ensemble’s billing … » Read
 

Reviews

John Nelson, Michael Spyres, and an Arrogant Young Virtuoso

October 19, 2021 | Mark Valencia, Musical America
The indefatigable John Nelson and the indefinable Michael Spyres continue their musical love affair with Hector Berlioz, a three-way relationship that began in 2016 with Les Troyens and has flourished ever since. The two men’s shared … » Read
 

Reviews

A New Fidelio That Succeeds on Every Front

October 18, 2021 | Thomas May, Musical America
SAN FRANCISCO—San Francisco Opera’s Fidelio arrived nearly overloaded with expectations. Originally planned as last season’s inaugural production to celebrate the choice of Eun Sun Kim as new music director, the show had to be … » Read
 
 

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