REVIEWS


Reviews

1984: An Important New Score, with Edward Snowden's Imprimatur

April 23, 2021 | Keith Clarke, Musical America
LONDON--It is 72 years since George Orwell published Nineteen Eighty-Four: A Novel , his vision of a dystopian future where mass surveillance kept civilians under the strict control of an all-powerful state. When composer Mihkel Kerem read it, he … » Read
 

Reviews

Salonen Ventures Into Minimalism in SFS SoundBox

April 19, 2021 | Richard S. Ginell, Musical America
SAN FRANCISCO – Hobbled by the worldwide COVID-19 shutdown, Esa-Pekka Salonen is easing his way through his first season as music director of the San Francsico Symphony through digital-only programs. The first was the introductory … » Read
 

Reviews

New ROH Brecht-Weill Double Bill Reflects on Gender Politics, 21st-century Style

April 12, 2021 | Clive Paget, Musical America
London’s Royal Opera House will finally reopen with socially distanced audiences on May 17. In the meantime, it continues its rewarding series of live streamed events with this April 9 double bill of Kurt Weill and Bertolt Brecht’s … » Read
 

Reviews

Seattle's Museum of Flight as Optimal for Jonathan Dove's Opera Flight

April 7, 2021 | Clive Paget, Musical America
Pandemic programming has encouraged opera companies to reinvent themselves as TV or movie producers, but few have been as ingenious or as apposite as Seattle Opera with its new film of Jonathan Dove’s Flight . Written in 1998 by British … » Read
 

Reviews

Recordings: American Piano Music, Then & Now

April 2, 2021 | Clive Paget, Musical America
An insightful survey of works by Florence Price is one of four new albums exploring nearly a century of solo piano music by American composers. Born in 1887 in Little Rock, Price trained at the New England Conservatory before migrating to Chicago … » Read
 

Reviews

La Scala Predicts a Balanced 2021 Budget; New Staging Shows Cut Corners

March 30, 2021 | James Imam, Musical America
Perhaps surprisingly, La Scala announced two weeks ago that it expects to close 2021 in the black. The secret to keeping the books in order without live performances for the last year (ticket sales account for a third of the house’s income) … » Read
 

Reviews

Lise Davidsen Steps Into Wagner, Verdi Rep

March 29, 2021 | Mike Silverman, Associated Press
To open her new album, the Norwegian soprano Lise Davidsen revisits the role that provided her most recent operatic triumph. It’s a smart choice for this eclectic collection of arias and songs. As Leonore, the wife determined to free her … » Read
 

Reviews

Kosky's New Rosenkavalier Is Worth Its Weight In, er, Silver

March 23, 2021 | Clive Paget, Musical America
Extended lockdowns across Europe mean that the trend for performing opera in empty auditoriums continues apace with the Bayerische Staatsoper’s March 21 streamed premiere of Barrie Kosky’s quirky new staging of Der Rosenkavalier The … » Read
 

Reviews

Newly Recorded Americans, Easily Worth a Listen

March 17, 2021 | Clive Paget, Musical America
Gil Rose’s Boston Modern Orchestra Project, Musical America’s 2016 Ensemble of the Year , is on a mission to draw attention to important American works of the 20th and 21st centuries. It may be barred from live performance, but this … » Read
 

Reviews

Some Very, Very Serious New Voices at National Sawdust

March 16, 2021 | Wynne Delacoma, Musical America
Curious about the state of the human psyche one year into a world-altering global pandemic? Look no farther than National Sawdust’s Hildegard Commission Concert, a program presenting new works by women, trans, and non-binary composers … » Read
 
 

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