REVIEWS


Reviews

An Unlikely Voyage Launches Philharmonia Baroque's New Music Director

October 20, 2021 | Steven Winn, Musical America
For his delayed season-opening set of concerts as Philharmonia Baroque’s new music director, Richard Egarr strode decisively into the 19th century. “Schumann’s Reawakened Masterpieces,” as the ensemble’s billing … » Read
 

Reviews

John Nelson, Michael Spyres, and an Arrogant Young Virtuoso

October 19, 2021 | Mark Valencia, Musical America
The indefatigable John Nelson and the indefinable Michael Spyres continue their musical love affair with Hector Berlioz, a three-way relationship that began in 2016 with Les Troyens and has flourished ever since. The two men’s shared … » Read
 

Reviews

A New Fidelio That Succeeds on Every Front

October 18, 2021 | Thomas May, Musical America
SAN FRANCISCO—San Francisco Opera’s Fidelio arrived nearly overloaded with expectations. Originally planned as last season’s inaugural production to celebrate the choice of Eun Sun Kim as new music director, the show had to be … » Read
 

Reviews

Two Nights with Davóne: 'Unforgettable.'

October 14, 2021 | Clive Paget, Musical America
LONDON--With Davóne Tines, a concert is always an event. In his program biography, the American bass-baritone describes himself as “a Black, gay performer at the intersection of many histories, cultures and aesthetics.” As an … » Read
 

Reviews

A Musically Beautiful Fidelio Overcomes an Ugly Staging

October 13, 2021 | Mark Valencia, Musical America
LONDON--It’s neither musical fish nor theatrical fowl this Fidelio , and Glyndebourne doesn’t seem to have known what to do with it. Frederic Wake-Walker’s production is a misfire so complete that the word … » Read
 

Reviews

New Baton at London Philharmonia Worthy Successor to Esa-Pekka

October 7, 2021 | Clive Paget, Musical America
As a part of the current changing of the guard at London’s major orchestras, the appointment of the 35-year-old Santtu-Matias Rouvali to succeed Esa-Pekka Salonen as principal conductor of the Philharmonia was certainly the most daring. On … » Read
 

Reviews

Paris Opera Reopens with Depressing Regie Iphigénie en Tauride

October 5, 2021 | Paul du Quenoy, Musical America
Premiered at France’s Royal Academy of Music in 1779, Iphigénie en Tauride was among the last of Christoph Willibald Gluck’s “reform” operas, a series of innovative and highly successful works that strived for … » Read
 

Reviews

San Francisco Symphony Dazzles the Senses at Season Opener

October 4, 2021 | Steven Winn, Musical America
For the 41 years it’s been open, Davies Symphony Hall has never sounded or looked like it did on Friday, October 1. The occasion was the San Francisco Symphony’s brilliantly conceived and realized 2021-22 season “Re-Opening … » Read
 

Reviews

The Met Revives Boris Goduov in Its Original, Shorter Form

September 30, 2021 | George Loomis, Musical America
Shortened versions of operas have found a certain vogue during the pandemic, ostensibly for health reasons. Usually it is the director who does the shortening, but at least one operatic standard exists in a version created by the composer that is … » Read
 

Reviews

Black Culture in the Opera House. Finally.

September 29, 2021 | Susan Elliott, Musical America
How to unwrap a musical package as deep, layered, and startlingly resonant as Fire Shut Up in My Bones , the work that opened the Metropolitan Opera Monday night after 18 months of pandemic-induced silence? The sheer substance of Terence … » Read
 
 

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