REVIEWS


Reviews

London Phil, Mitsuko Uchida, and (Mostly) Standard Rep

April 13, 2022 | Clive Paget, Musical America
LONDON--Two weeks ago the London Philharmonic was pushing the envelope under its new Principal Conductor Edward Gardner in a program of exclusively new music , all four items being U.K. premieres. For this April 9 concert at London’s Royal … » Read
 

Reviews

Corigliano's Triathlon for Sax Premieres in San Francisco

April 12, 2022 | Steven Winnn, Musical America
In his pre-performance remarks, John Corigliano reminded San Francisco Symphony audience members to read their programs closely. His Triathlon , receiving its world premiere at Davies Hall on Friday, April 8, is not subtitled Concerto for … » Read
 

Reviews

Ai Weiwei's Rome Turnandot:
His First (and Last) Opera

April 11, 2022 | James Imam, Musical America
MILAN—Back in 2020, Ai Weiwei's production of Turandot for the Rome Opera was one of the most eagerly anticipated events on Italy's cultural calendar. The Chinese artist and activist is famed for championing protestors and refugees around … » Read
 

Reviews

The Handmaid's Tale Is an 'Unqualified Triumph' for ENO

April 11, 2022 | Clive Paget, Musical America
LONDON—English National Opera has had it rough of late, what with the premature departure of former Artistic Director Daniel Kramer after just a year followed swiftly by the global pandemic. Reviews of Kramer’s residual program have … » Read
 

Reviews

Chamber Music Society Gets Its Mojo Back (and Lives to Tell the Tale)

April 8, 2022 | Susan Elliott, Musical America
If the pandemic and shutdown wrought devastation, re-emergence has posed its own challenges. Tonight, “Setting the Stage” on PBS documents how the Chamber Music Society of Lincoln Center—its musicians, staff, technicians, and … » Read
 

Reviews

Four Premieres in One Concert Signals New Purview for the London Phil

April 1, 2022 | Clive Paget, Musical America
LONDON--Back in Beethoven or Mozart’s day, your average concert would comprise a composer’s very latest works, in other words there would be little that wasn’t new music. These days it’s rare to feature more than a single … » Read
 

Reviews

Chicago's Haymarket Opera Takes on Stradella's La Susanna

March 30, 2022 | Kyle MacMillan, Musical America
CHICAGO—The Haymarket Opera Company (HOC) opened its 2022 season March 26 with a spellbinding performance of La Susanna , a significant if little-known oratorio written in 1681 by Alessandro Stradella. A middle-period Baroque Italian … » Read
 

Reviews

A Not Very Positive Look at the LSO & Rattle in California

March 28, 2022 | Taylor Grant, Musical America
A March 24 concert by the London Symphony Orchestra (LSO) under Simon Rattle’s baton “looked like a sure thing on paper,” writes Timothy Mangan in the Voice of Orange County . Unfortunately, he continues, “The concert … » Read
 

Reviews

A Storied Ballet Company Explodes Its Purview

March 25, 2022 | Rachel Straus, Musical America
With the perspective of a three-year hiatus from New York City Ballet performances at Lincoln Center’s Koch Theater, my return for its “Visionary Voices” program last month was telling. The works—Kyle Abraham’s The … » Read
 

Reviews

Seattle Symphony Celebrates Asia; Preserves the Event on Film

March 24, 2022 | Clive Paget, Musical America
With significant communities from China, the Philippines, India, Indonesia, Thailand, Vietnam, Japan, and Korea among others, Seattle has one of the most diverse Asian communities in the U.S. That makes Seattle Symphony’s annual Celebrate … » Read
 
 

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