REVIEWS


Reviews

Zambello's New Staging at LA Opera: 'As Good as Aida Gets.'

June 1, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – For all of the progressive ideas coming out of Los Angeles that grab national attention, there is still a lot to be said for what’s happening here in the mainstream. For example, the new production of Aïda that … » Read
 

Reviews

A Welcome Return of The Rake's Progress at the Met

June 1, 2022 | George Loomis, Musical America
The Rake’s Progress provides an unsettling experience. With music by Stravinsky and words by W. H. Auden (working with Chester Kallman), it is the product of perhaps the most illustrious partnership ever to create an opera after World War … » Read
 

Reviews

Britten's War Requiem by the Royal Phil: The Timing Is Tragically Apt

May 31, 2022 | Clive Paget, Musical America
Benjamin Britten’s War Requiem has always been political, and never more so than now. The Royal Philharmonic Orchestra’s May 26 performance felt especially topical, conducted as it was by Vasily Petrenko, the orchestra’s Russian … » Read
 

Reviews

CSO's MusicNOW Gets a Shot of Adrenalin

May 26, 2022 | Sarah Shay, Musical America
The Chicago Symphony Orchestra’s MusicNOW concert on May 23 ended the 24 th iteration of its new music series on a high note. Curated by  Mead Composer-in-Residence Jessie Montgomery, the season began with a program devoted to … » Read
 

Reviews

Anthony Davis's X: All Is Well, Until Things Get Preachy

May 23, 2022 | John Fleming, Musical America
DETROIT – Why did it take so long for X: The Life and Times of Malcolm X to receive its first major revival? After all, the opera on the iconic Nation of Islam (NOI) civil rights leader, with pulsating music by Anthony Davis and a libretto … » Read
 

Reviews

The Wreckers as Intended: A Maverick Finally Gets Her Day in (Home) Court

May 23, 2022 | Clive Paget, Musical America
LONDON--Dame Ethel Smyth’s The Wreckers has a reputation as the only English opera of note between Purcell and Britten, and yet it’s hardly ever staged. There was a pioneering recording made nearly 30 years ago and the Bard Music … » Read
 

Reviews

Julia Bullock Touches the Soul with 'History's Persistent Voice'

May 19, 2022 | Steven Winn, Musical America
“My Lord, what a morning,” sang soprano Julia Bullock at the top of “History’s Persistent Voice, ” her deeply affecting, sometimes disturbing and always full-hearted work created for solo voice and orchestra. … » Read
 

Reviews

Review: Steve Reich's Conversations Is a Gift from an Entire Generation of Music Makers

May 20, 2022 | Clive Paget, Musical America
If you’ve ever had the privilege of talking with Steve Reich, you’ll know the thoughts come thick and fast—so fast sometimes you can barely keep up. The beauty of Conversations is how all that wisdom and knowledge has been … » Read
 

Reviews

At the Barbican: Anniversaries, Birthdays, and a Surprise World Premiere

May 18, 2022 | Clive Paget, Musical America
The BBC Symphony Orchestra’s May 13 concert at London’s Barbican Centre managed to field two premieres while celebrating four composer anniversaries. Two were major birthdays—César Franck’s 200th and Ralph Vaughan … » Read
 

Reviews

Hamlet: It's All in the Orchestra

May 16, 2022 | Susan Elliott, Musical America
If the sense of ambiguity that pervades Shakespeare’s Hamlet is what makes it so compelling a drama, it is also what makes it so challenging to an interpreter, be it a teller, a listener, a director, or a composer. Many of the last group … » Read
 
 

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