REVIEWS


Reviews

Orfeo at Garsington: Transcendent

June 9, 2022 | Mark Valencia, Musical America
LONDON--Garsington Opera launched its six-week summer season with two key repertory operas in productions touched with greatness. The restaging of John Cox’s 2004 Cos ì fan tutte , a modern classic first seen in San Francisco as well … » Read
 

Reviews

Trifonov Tackles Bates's New Concerto in San Francisco

June 7, 2022 | Steven Winn, Musical America
SAN FRANCISCO--In his new Piano Concerto, Mason Bates doesn’t employ any of the electronica or DJ stylings that earmark a number of the composer’s other works. But when the piece received its first West Coast performances June 2-5, it … » Read
 

Reviews

Pappano Unearths Italian Rarities with the LSO

June 8, 2022 | Clive Paget, Musical America
LONDON--Anyone wondering how Sir Antonio Pappano’s tenure as chief conductor of the London Symphony Orchestra—beginning September 2024—might differ from that of current incumbent Sir Simon Rattle should consider this dazzling … » Read
 

Reviews

Hwood Bowl Centennial Season Opens
in a Varied, Vibrant, Blowout

June 6, 2022 | Richard S. Ginell, Musical America
HOLLYWOOD – Once upon a time, the programs at Hollywood Bowl were called “Symphonies Under the Stars.” These days, symphonies are still performed under the stars at the 100-year-old, 17,500-seat amphitheater, but they no … » Read
 

Reviews

Siegfried: Festival Opera Among the Cotswolds

June 3, 2022 | Clive Paget, Musical America
LONDON -- Nestling in the heart of the Cotswolds, Longborough Festival Opera was the brainchild of Martin and Lizzie Graham. In 1996, they reconstructed a barn on their Moreton-in-Marsh property to create an intimate 500-seat theater. The … » Read
 

Reviews

Spoleto Fest's 3 Operas: A Mixed Verdict

June 1, 2022 | Anthony Brown, Musical America
After a canceled 2020 season and a substantially reduced program in 2021, the Spoleto Festival has returned this year with a full performance schedule and a new general director. Mena Mark Hanna, the 37-year-old son of Egyptian immigrants, has … » Read
 

Reviews

At ROH: A Dreadfully Staged, Beautifully Sung Samson et Dalila

June 2, 2022 | Mark Valencia, Musical America
LONDON--The Royal Opera’s artistic leaders, Oliver Mears and Antonio Pappano, have trumpeted the most celebrated opera of Saint-Saëns as “an unabashed spectacle that luxuriates in melodic invention and lush orchestration.” … » Read
 

Reviews

At the Joyce: Trisha Brown Dance Turns 50

May 31, 2022 | Chava Pearl Lansky
One dancer drops her weight into a deep squat before ricocheting back to standing. Another sweeps his right leg and arm toward each other, bending the limbs easily at the joints once his knee and elbow make contact. Two more walk from upstage to … » Read
 

Reviews

Zambello's New Staging at LA Opera: 'As Good as Aida Gets.'

June 1, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – For all of the progressive ideas coming out of Los Angeles that grab national attention, there is still a lot to be said for what’s happening here in the mainstream. For example, the new production of Aïda that … » Read
 

Reviews

A Welcome Return of The Rake's Progress at the Met

June 1, 2022 | George Loomis, Musical America
The Rake’s Progress provides an unsettling experience. With music by Stravinsky and words by W. H. Auden (working with Chester Kallman), it is the product of perhaps the most illustrious partnership ever to create an opera after World War … » Read
 
 

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