REVIEWS


Reviews

Bychkov Introduces Prague Panoramas at the Proms

August 9, 2022 | Clive Paget, Musical America
LONDON—The BBC Symphony Orchestra is the mainstay of the BBC Proms, covering a wide range of music across the season under a variety of different conductors. It requires a nimble and disciplined approach, and this impressive August 5 … » Read
 

Reviews

BOAC at Mass MoCA Part II: The Rest of the Story

August 5, 2022 | David Patrick Stearns, Musical America
Following continues Stearns's BOAC review, posted yesterday . The post-minimalist aesthetic has staying power among the Bang on a Can (BOAC) composers, influenced by Dutch minimalist Louis Andriessen, thanks to their ways of applying it on every … » Read
 

Reviews

Bang on a Can at Mass MoCA: Part I, Field of Vision

August 4, 2022 | David Patrick Stearns, Musical America
NORTH ADAMS, MA--Any major Bang on a Can event is bound to test what you think music is, what it can say, and even how sound is made. But during the Bang on a Can LOUD Weekend July 28-30 at MASS MoCA (Massachusetts Museum of Contemporary Art) in … » Read
 

Reviews

Orchestra and Conductor in His 'Absolute Prime' Dazzle the Proms

August 4, 2022 | Clive Paget, Musical America
LONDON--Cognoscenti of Puccini’s less-performed operas have long recognized that Il Tabarro , the opening act of his 1920 trilogy Il Trittico , is one of his most enthralling and advanced scores.  When followed by the emotional … » Read
 

Reviews

Upshaw and the Brentano Take Dido Reimagined on the Road

August 3, 2022 | James Bash, Musical America
PORTLAND, OR--Based on an ancient love story, Dido Reimagined , a new monodrama by Pulitzer-prize-winning composer Melinda Wagner and librettist Stephanie Fleischmann, received a thought-provoking performance from Dawn Upshaw and the Brentano … » Read
 

Reviews

At Caramoor, Trinity Baroque Takes on Theodora

August 3, 2022 | George Loomis, Musical America
Caramoor’s summer festival for years held a place on the itinerary of opera goers, thanks to Will Crutchfield’s Bel Canto at Caramoor series. After 2017, when the latter, rebranded as Teatro Nuovo, ventured forth on its own, Caramoor … » Read
 

Reviews

Rare One-Acters at Opera Holland Park

August 2, 2022 | Clive Paget, Musical America
LONDON—Opera Holland Park has a reputation as an operatic lifesaver, resuscitating the neglected, and even at times resurrecting the dead. Its double bill of Delius’s scarcely heard of, let alone heard Margot la Rouge and … » Read
 

Reviews

American Bach Soloists Make a Winning Case for Handel's Belshazzar

August 2, 2022 | Steven Winn, Musical America
SAN FRANCISCO—Charles Jennens’s Biblically based libretto for Handel’s 1745 oratorio Belshazzar stakes out its agenda in straightforward terms. Held captive in Babylon by the title character, the Judeans are freed by Cyrus the … » Read
 

Reviews

Dausgaard's Abrupt Exit Led to a Parade of Possibles. How Were They?

August 1, 2022 | Thomas May, Musical America
SEATTLE—A gripping performance of the Verdi Requiem last month not only served as the Seattle Symphony’s (SSO) season finale but drew a double bar over a year marked by turbulent change. Thomas Dausgaard’s abrupt resignation as … » Read
 

Reviews

Strauss at SummerScape: A Ruse of a Ruse

July 28, 2022 | David Patrick Stearns, Musical America
ANNANDALE-ON-HUDSON, NY—Operatic might-have-beens are a centerpiece of the Bard SummerScape’s annual season, the 2022 entry being Die Schweigsame Frau (The Silent Woman) in a brave production that makes an almost-best-possible case … » Read
 
 

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