After a canceled 2020 season and a substantially reduced program in 2021, the Spoleto Festival has returned this year with a full performance schedule and a new general director. Mena Mark Hanna, the 37-year-old son of Egyptian immigrants, has … » Read

LONDON--The Royal Opera’s artistic leaders, Oliver Mears and Antonio Pappano, have trumpeted the most celebrated opera of Saint-Saëns as “an unabashed spectacle that luxuriates in melodic invention and lush orchestration.” … » Read

One dancer drops her weight into a deep squat before ricocheting back to standing. Another sweeps his right leg and arm toward each other, bending the limbs easily at the joints once his knee and elbow make contact. Two more walk from upstage to … » Read

LOS ANGELES – For all of the progressive ideas coming out of Los Angeles that grab national attention, there is still a lot to be said for what’s happening here in the mainstream. For example, the new production of Aïda that … » Read

The Rake’s Progress provides an unsettling experience. With music by Stravinsky and words by W. H. Auden (working with Chester Kallman), it is the product of perhaps the most illustrious partnership ever to create an opera after World War … » Read

Benjamin Britten’s War Requiem has always been political, and never more so than now. The Royal Philharmonic Orchestra’s May 26 performance felt especially topical, conducted as it was by Vasily Petrenko, the orchestra’s Russian … » Read

The Chicago Symphony Orchestra’s MusicNOW concert on May 23 ended the 24 th iteration of its new music series on a high note. Curated by  Mead Composer-in-Residence Jessie Montgomery, the season began with a program devoted to … » Read

DETROIT – Why did it take so long for X: The Life and Times of Malcolm X to receive its first major revival? After all, the opera on the iconic Nation of Islam (NOI) civil rights leader, with pulsating music by Anthony Davis and a libretto … » Read

LONDON--Dame Ethel Smyth’s The Wreckers has a reputation as the only English opera of note between Purcell and Britten, and yet it’s hardly ever staged. There was a pioneering recording made nearly 30 years ago and the Bard Music … » Read

“My Lord, what a morning,” sang soprano Julia Bullock at the top of “History’s Persistent Voice, ” her deeply affecting, sometimes disturbing and always full-hearted work created for solo voice and orchestra. … » Read