REVIEWS


Reviews

On Absolute Fire: Payare and Montreal at Southbank

November 1, 2022 | Clive Paget, Musical America
LONDON—On October 28, the Southbank Center was presenting the Orchestre Symphonique de Montréal, the only international orchestra to grace the venue this year, and yet the Festival Hall was so undersubscribed that the balcony had … » Read
 

Reviews

Iestyn Davies Traverses the Doldrums with Dowland

October 31, 2022 | Clive Paget, Musical America
LONDON--Staging something as airy as a collection of Elizabethan lute songs might risk over-egging a delicate pudding, but in the sensitive hands of director Netia Jones it makes perfect expressive sense. Doubly so when interpreted by British … » Read
 

Reviews

Philly O Pays Homage to Two Historic Women Composers

October 31, 2022 | George Loomis, Musical America
Two major works by women composers were the principal attraction of the Philadelphia Orchestra’s concert led by Yannick Nézet-Séguin at Carnegie Hall on Friday evening (October 28). Neither was a world premiere or at all new, … » Read
 

Reviews

3 Composers in the Limelight: the Azrieli Music Prize Gala

October 28, 2022 | James Imam, Musical America
MONTREAL--A powerful sense of interculturalism dominated this year's edition of the Azrieli Music Prizes. Two of the three works showcased at the October 20 prize-winners gala concert were written by immigrants to Canada, and both blended Western … » Read
 

Reviews

Early Music Group Vox Luminis Rises Above Its Own High Bar

October 27, 2022 | David Patrick Stearns, Musical America
Some of the most refined and purposeful singing heard today is in the early music community, as exemplified by Vox Luminis in two concerts on consecutive days that were high points in the New York season. In fact, the group actually eclipsed its … » Read
 

Reviews

An Obscure Baroque Opera with a Bewildering Tangle of Alliances

October 25, 2022 | Steven Winn, Musical America
SAN FRANCISCO--Ars Minerva, the seven-year-old company that has made a name for itself in the Bay Area by reviving forgotten Baroque operas, has held up its reputation for musical verve and theatrical cheekiness with its latest offering, … » Read
 

Reviews

New Opera Tells the (True) Story of How One Man Prevented WWIII

October 24, 2022 | Richard S. Ginell, Musical America
CULVER CITY, CA – It’s uncanny how often the subject matter of new operas these days coincides, intended or not, with real-life events. Case in point: Peter Knell and Stephanie Fleischmann’s Arkhipov performed for the first … » Read
 

Reviews

Mirga, CBSO Wow the Crowd in San Francisco

October 21, 2022 | Steven Winn, Musical America
SAN FRANCISCO—The City of Birmingham Symphony Orchestra brought their A game to San Francisco on October 16. In a smartly conceived, brilliantly played bill consisting primarily of works by English composers, the evening began and ended on … » Read
 

Reviews

LA Phil's Pan American Music Initiative Gets Underway, in Earnest

October 20, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – At last, a fully dedicated Pan American music concert from the Los Angeles Philharmonic—Sunday afternoon (Oct. 16) at Walt Disney Concert Hall. Launched last season, the Pan-American Music Initiative is a five-year … » Read
 

Reviews

At Wigmore Hall: Two Nights of the More Intimate Vaughan Williams

October 19, 2022 | Clive Paget, Musical America
The U.K. is currently celebrating the 150th anniversary of the birth of Ralph Vaughan Williams, a composer whose visionary music and radical politics are in contrast to the comfy slippers that would be imposed on him by a post-Brexit heritage … » Read
 
 

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