REVIEWS


Reviews

Orchestra and Conductor in His 'Absolute Prime' Dazzle the Proms

August 4, 2022 | Clive Paget, Musical America
LONDON--Cognoscenti of Puccini’s less-performed operas have long recognized that Il Tabarro , the opening act of his 1920 trilogy Il Trittico , is one of his most enthralling and advanced scores.  When followed by the emotional … » Read
 

Reviews

Upshaw and the Brentano Take Dido Reimagined on the Road

August 3, 2022 | James Bash, Musical America
PORTLAND, OR--Based on an ancient love story, Dido Reimagined , a new monodrama by Pulitzer-prize-winning composer Melinda Wagner and librettist Stephanie Fleischmann, received a thought-provoking performance from Dawn Upshaw and the Brentano … » Read
 

Reviews

At Caramoor, Trinity Baroque Takes on Theodora

August 3, 2022 | George Loomis, Musical America
Caramoor’s summer festival for years held a place on the itinerary of opera goers, thanks to Will Crutchfield’s Bel Canto at Caramoor series. After 2017, when the latter, rebranded as Teatro Nuovo, ventured forth on its own, Caramoor … » Read
 

Reviews

Rare One-Acters at Opera Holland Park

August 2, 2022 | Clive Paget, Musical America
LONDON—Opera Holland Park has a reputation as an operatic lifesaver, resuscitating the neglected, and even at times resurrecting the dead. Its double bill of Delius’s scarcely heard of, let alone heard Margot la Rouge and … » Read
 

Reviews

American Bach Soloists Make a Winning Case for Handel's Belshazzar

August 2, 2022 | Steven Winn, Musical America
SAN FRANCISCO—Charles Jennens’s Biblically based libretto for Handel’s 1745 oratorio Belshazzar stakes out its agenda in straightforward terms. Held captive in Babylon by the title character, the Judeans are freed by Cyrus the … » Read
 

Reviews

Dausgaard's Abrupt Exit Led to a Parade of Possibles. How Were They?

August 1, 2022 | Thomas May, Musical America
SEATTLE—A gripping performance of the Verdi Requiem last month not only served as the Seattle Symphony’s (SSO) season finale but drew a double bar over a year marked by turbulent change. Thomas Dausgaard’s abrupt resignation as … » Read
 

Reviews

Strauss at SummerScape: A Ruse of a Ruse

July 28, 2022 | David Patrick Stearns, Musical America
ANNANDALE-ON-HUDSON, NY—Operatic might-have-beens are a centerpiece of the Bard SummerScape’s annual season, the 2022 entry being Die Schweigsame Frau (The Silent Woman) in a brave production that makes an almost-best-possible case … » Read
 

Reviews

At Aix-en-Provence, A Flop and Two Classics

July 28, 2022 | Mark Valencia, Musical America
AIX-EN-PROVENCE—There was a determination on the part of Artistic Director Pierre Audi and the city fathers of Aix to mount a full-on festival in 2022 after the difficulties of the last two years, and they more than delivered on their … » Read
 

Reviews

Youth (and a Few Others) Take the Stage at Tanglewood

July 27, 2022 | Sarah Shay, Musical America
Last weekend at Tanglewood saw “youth in ascendance,” writes Jeremy Eichler in The Boston Globe . Friday night’s star was Karina Canellakis, the young American conductor whose debut last year won rave reviews for “a … » Read
 

Reviews

Sandbox Percussion Explodes at Chamber Music Northwest

July 27, 2022 | James Bash, Musical America
PORTLAND--As part of its “Inspirations & Influences” Summer Festival, Chamber Music Northwest presented composer Andy Akiho’s multimedia 2021 work Seven Pillars to a sold-out crowd at the Alberta Rose Theater, a converted … » Read
 
 

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