REVIEWS


Reviews

Some Mozart, Left of the Disco Ball

July 22, 2022 | Emery Kerekes, Musical America
Lincoln Center has adopted a new look for its inaugural Summer for the City festival. The once postcard-perfect plaza is now a vast party space bedecked in electric violet, a quadruple-sized disco ball hanging over the iconic fountain. Organizers … » Read
 

Reviews

Americana Recordings by Americans

July 22, 2022 | Clive Paget, Musical America
In January 2022, the National Symphony Orchestra and Music Director Gianandrea Noseda launched a project to perform and record George Walker’s five Sinfonias, a series of works written between 1984 and 2015. The first release features … » Read
 

Reviews

Opera Parallèle Re-reimagines Glass's Beauty and the Beast

July 18, 2022 | Taylor Grant, Musical America
Opera Parallèle’s new production of Philip Glass’s 1994 opera La Belle et la Bête ( Beauty and the Beast ) is, writes Joshua Kosman in the San Francisco Chronicle , “a wondrous artistic hybrid combining film and … » Read
 

Reviews

Botstein's Latest Discovery Is a Roof-Raiser

July 19, 2022 | David Patrick Stearns, Musical America
If not Leon Botstein, then who?  Nobody but this venerable impresario/conductor—president of Bard College and its annual music festival, music director of the American Symphony Orchestra, author, scholar, etc.—regularly sets out … » Read
 

Reviews

At Aix: A Mass Grave Excavated to the Tune of Mahler; Plus Other, More Appealing Fare

July 18, 2022 | Mark Valencia, Musical America
AIX-EN-PROVENCE— The Aix Opera Festival is thriving under the artistic direction of Pierre Audi, now in his fourth summer at the helm, and the riches on offer in 2022 are copious indeed. That’s not to suggest that everything in the … » Read
 

Reviews

A Real Otello at the Royal Opera

July 15, 2022 | Clive Paget, Musical America
LONDON--Anna Netrebko’s latest  shameful shenanigans aside, blackface in opera seems thankfully to be a thing of the past. Fortunately, such is the depth and power of Verdi’s Otello that in recent years we’ve had ample … » Read
 

Reviews

Weekend I at Tanglewood: A Prayer, a Song, and Yuja

July 13, 2022 | Sarah Shay, Musical America
On July 8 the Boston Symphony launched its first full Tanglewood season since 2019. On the podium was Music Director Andris Nelsons, and on the program were Opening Prayer , a brief work by Leonard Bernstein written for the reopening of Carnegie … » Read
 

Reviews

The Connective Threads of Musical Revolutions

July 13, 2022 | Sara Davis Buechner, Musical America
Tracing the length and breadth of noteworthy changes in music is an assignment for only the most discerning of writers. Stuart Isacoff--pianist/ musicologist/cultural archeologist—proves well up to the task in his remarkable collection of … » Read
 

Reviews

At Glyndebourne: A Stylish, if Rather Busy, Alcina

July 6, 2022 | Clive Paget, Musical America
LONDON--It may not have the most profound of plots, but Alcina contains some of Handel's greatest music. For Glyndebourne’s first staging of the opera, which opened July 2, the company has assembled a cast of exceptional vocal beauty, … » Read
 

Reviews

Opera Rara Brings The Exile Out of Exile

July 1, 2022 | Clive Paget, Musical America
LONDON--Given the high quality and stylistic daring of much of the music in Saverio Mercadante’s Il Proscritto ( The Exile ), it seems remarkable that this June 28 concert performance at London’s Barbican Centre was the opera’s … » Read
 
 

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