REVIEWS


Reviews

Wintereisse: Allan Clayton Contines His "Triptych of Torrents"

December 16, 2022 | Mark Valencia, Musical America
LONDON—The sun shines brightly in Australia during December, but this account of Schubert’s chilling (and chilly) masterpiece in song, first seen and heard in Sydney earlier this year, practically froze the stage when it reached a … » Read
 

Reviews

Reena Esmail's SFSymphony Soundbox Was the Best Club Date in Town

December 15, 2022 | Steven Winn, Musical America
The audience perches on barstools or lolls on padded ottomans and low-slung couches, diverted by dreamy projections on multiple screens and cocktails they’re free to sip during the show. Performances begin at a fashionable 9 pm. … » Read
 

Reviews

Stutzmann's Rocky Start in Atlanta

December 14, 2022 | Taylor Grant, Musical America
This season is contralto-cum-conductor Nathalie Stutzmann’s first as music director of the Atlanta Symphony Orchestra and has thus far drawn an ambivalent response from the local music critic. Her third appearance on the podium—for a … » Read
 

Reviews

Finn Phenom Makes NYPhil Debut

December 13, 2022 | George Loomis, Musical America
At 26, Finnish conductor Klaus Mäkelä, who made his New York Philharmonic debut last week, is a year older than Leonard Bernstein was when he first appeared with the orchestra, as a replacement for Bruno Walter in a broadcast … » Read
 

Reviews

Boris Godunov Opens La Scala: Pomp, Circumstance, and Protest

December 12, 2022 | Paul du Quenoy, Musical America
MILAN--Given the tragic war in Ukraine, the choice of Mussorgsky’s Boris Godunov to open the season of Italy’s leading opera house would seem unfortunate. But opera bookings are made years in advance; not even a moving plea from … » Read
 

Reviews

ENO Succeeds (at Last!) with Semi-staged Gloriana

December 12, 2022 | Clive Paget, Musical America
LONDON--Given its recent woes, it was heartening to feel the love for English National Opera at this December 8 concert performance of Benjamin Britten’s Gloriana . Not only did the company receive several rounds of applause before the … » Read
 

Reviews

In Zurich: Lust & Depravity at Its Best

December 9, 2022 | James Imam, Musical America
MILAN--Francesco Cavalli composed Eliogabalo in 1667, intending to premiere it during the Venetian Carnival  the following year. That never happened. In fact, it would take over 300 years for the opera to first see the light of day, in 1999 … » Read
 

Reviews

A New Don Carlo in Naples, Complete with Luxury Cast

December 6, 2022 | James Imam, Musical America
MILAN—On Nov. 26, Naples’s famed the Teatro di San Carlo was due to open its season with a highly anticipated new production of Don Carlo , staged by Claus Guth before an illustrious audience including Italy’s foreign and … » Read
 

Reviews

Two First-Timers at the NY Phil: Rafael Payare and the Shostakovich 12

December 5, 2022 | George Loomis, Musical America
Rafael Payare, a conductor on the rise, made his debut with the New York Philharmonic last week and brought with him a work never before played by the orchestra. This in itself would not be particularly unusual, except that the work was a … » Read
 

Reviews

Sinfonia of London: Music's Answer to a Fast and Very Classy Sports Car

December 5, 2022 | Clive Paget, Musical America
LONDON—John Wilson and his resurrected Sinfonia of London have been gathering numerous plaudits over the four brief years of their existence, albeit mostly for work on disc. This December 2 live outing at London’s Barbican Center was … » Read
 
 

»More News

 
 

RENT A PHOTO

Search Musical America's archive of photos from 1900-1992.

 

»BROWSE & SEARCH ARCHIVE