REVIEWS


Reviews

Ensemble Intercontemporain Untangles One of Its Founder's Thorniest

March 31, 2023 | David Patrick Stearns, Musical America
The legacy of the late composer/conductor Pierre Boulez lives on, most notably through the Ensemble Intercontemporain, the esteemed new-music chamber group he founded in 1976. It arrived at Carnegie’s Zankel Hall on March 25 with a concert … » Read
 

Reviews

Mälkki Returns to the NY Phil, with 2 Co-conspirators

March 31, 2023 | John Rockwell, Musical America
Like pre-draft NFL quarterbacks jumping from team to team, conductors on the music directorship carousel elicit much speculation. Take Susanna Mälkki, for instance. She’s much admired, especially as a deeply experienced middle-aged … » Read
 

Reviews

A 1936 H.G. Wells Vision Realized Full Throttle by the London Symphony

March 30, 2023 | Clive Paget, Musical America
LONDON— Things to Come , H.G. Wells’s vision of global warfare and dream of mankind’s quest for the stars, is a remarkable thing. Realized as a 1936 black and white movie by producer Alexander Korda, with a blisteringly dramatic … » Read
 

Reviews

Yuval Sharon Fuses Three Operas for Chicago Lyric's Proximity

March 30, 2023 | Hannah Edgar, Musical America
CHICAGO—Leave it to Yuval Sharon + to make Lyric Opera of Chicago’s most daring project in decades even more daring. Four years ago, Renée Fleming, the company’s then-creative consultant, assigned three … » Read
 

Reviews

A Double Bill of Polar Opposites at Greek National Opera

March 28, 2023 | James Imam, Musical America
When the Greek debt crisis of 2015 unleashed economic turmoil in that country, the Stavros Niarchos Foundation ploughed on with building its plush Cultural Center near Athens's port. Greek National Opera (GNO) relocated to the complex two years … » Read
 

Reviews

Die Tote Stadt Comes to Vivid, Creepy Life at ENO

March 27, 2023 | Clive Paget, Musical America
LONDON—It’s a confident company that programs Erich Wolfgang Korngold’s Die Tote Stadt , a work calling for vast orchestral forces and singers with the stamina of oxen. English National Opera may have its ongoing funding woes, … » Read
 

Reviews

A Finely Focused Passion at the Phil

March 28, 2023 | Christopher Corwin, Musical America
Bach’s Passio Domini nostri Jesu Christi secundum Evagelistam Matthaeum or St. Matthew Passion had been missing from the New York Philharmonic for 15 years when Jaap van Zweden revived it for three performances last weekend at David Geffen … » Read
 

Reviews

Kentridge's SIBYL Illuminates an Ancient Oracle

March 21, 2023 | Steven Winn, Musical America
SAN FRANCISCO—Scintillating and droll, potent and puckish, William Kentridge’s multi-valenced chamber opera-cum-film SIBYL had a buoyantly received United States premiere March 17 at Berkeley’s Zellerbach Hall. The ovation was … » Read
 

Reviews

Jaap Returns With Messiaen's Homage to the Major Third

March 20, 2023 | George Loomis, Musical America
Olivier Messiaen’s Turangalîla Symphony has its share of brutal dissonance—no question about that—yet some critics called it, according to the composer, an homage to the major third, a sonority as unlike dissonance as one … » Read
 

Reviews

Three Must-Have Chamber Premieres on Disc (With Sting in the Tail)

March 22, 2023 | Clive Paget, Musical America
Uncovered Three A round-up of outstanding new, or new-to-disc American chamber music, is headed by the latest in Catalyst Quartet’s revelatory “Uncovered” series. The follow up to acclaimed volumes of music by Samuel … » Read
 
 

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