REVIEWS


Reviews

Tod Machover, Joyce DiDonato Listen to the Trees in New Opera

March 10, 2023 | David Patrick Stearns, Musical America
For years, we’ve had it wrong. Trees aren’t just to be hugged but to be heard. At least that’s the theory (and a convincing one) in Overstory Overture, the new Tod Machover opera of sorts about communication among trees, and … » Read
 

Reviews

Hard to Figure Flute Bows in Wales

March 8, 2023 | Keith Clarke, Musical America
CARDIFF—Welsh National Opera has high hopes for director Daisy Evans, who has so far given the company lively productions of Shostakovich’s Cherry Town, Moscow, and Donizetti’s Don Pasquale. Her production of Bluebeard's Castle … » Read
 

Reviews

An Austro-German Weekend by the Experts

March 7, 2023 | George Loomis, Musical America
When the Vienna Philharmonic last appeared at Carnegie Hall, it was announced one day before the first of its three concerts, on February 24—the first day of the Russian invasion--that Yannick Nézet-Séguin would replace the … » Read
 

Reviews

The Scintillating Glow of Samuel Adams's No Such Spring

March 3, 2023 | Steven Winn, Musical America
SAN FRANCISCO—For Samuel Adams, the pandemic was both a constraint and source of transformation. Isolated like everyone else in the spring of 2020, the composer began to rethink his practice, pushing himself, as he put it in a San Francisco … » Read
 

Reviews

Met's Norma Revival Cannot Compare with Its Forebear(s)

March 2, 2023 | George Loomis, Musical America
Time was when only the vocal greats dared assay the title role of Bellini’s Norma at the Metropolitan Opera, from Lilli Lehmann to Montserrat Caballé, with Rosa Ponselle, Maria Callas, and Joan Sutherland, among others, falling in … » Read
 

Reviews

Brubeck's The Gates of Justice Stands the Test of Time

March 2, 2023 | Richard S. Ginell, Musical America
LOS ANGELES, CA– In hindsight, the great Dave Brubeck was a prophet of inclusion in the concert music world. When he disbanded his classic jazz quartet in 1967 in order to devote time to writing sacred classical works, one of his goals was … » Read
 

Reviews

A Chorus of Miners Provides Opera Fodder in Wales

February 28, 2023 | Keith Clarke, Musical America
CARDIFF, Wales—When Emma Jenkins provided the libretto for Welsh National Opera’s 2018 Rhondda Rips it Up! telling a story of women’s suffrage, Artistic Director David Pountney said, “We would rather throw a party than … » Read
 

Reviews

As Opera, A Thousand Splendid Suns Is a Perfect Fit

March 1, 2023 | Thomas May, Musical America
SEATTLE—The world premiere of A Thousand Splendid Suns at Seattle Opera has attracted attention well beyond the usual music circles. With the Taliban’s recent return to power in Afghanistan, both the opera and its source, Khaled … » Read
 

Reviews

Dim New Lohengrin Glistens Musically

February 28, 2023 | George Loomis, Musical America
When Lohengrin in Wagner’s opera reveals facts about himself in response to questions by his bride Elsa, questions she had pledged not to ask, he identifies his father as Parsifal, king of the guardian-knights of the Holy Grail, of which … » Read
 

Reviews

Gesualdo Six Finally Makes Its New York Debut

February 27, 2023 | David Patrick Stearns, Musical America
Nine years from its founding in Cambridge, the Gesualdo Six has become so firmly established in the early-music community that its New York debut on February 18 inspired incredulity: What? The acclaimed British vocal sextet has never sung here? … » Read
 
 

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