REVIEWS


Reviews

An Exemplary Mahler 1 in San Francisco

September 30, 2025 | Steven Winn, Musical America
SAN FRANCISCO—With the softly gleaming pedal-point chord that opened the San Francisco Symphony’s performance of Gustav Mahler’s Symphony No. 1 on September 26, a sense that something special was in store began to take hold. The … » Read
 

Reviews

Debutant Recitalist Masters the Form

September 29, 2025 | Fred Cohn, Musical America
Pene Pati revealed, toward the close of his Park Avenue Armory recital, that his program had consisted of songs that he and pianist Ronny Michael Greenberg had often performed together. In light of what we had just heard, his disclosure made … » Read
 

Reviews

LA Opera's West Side Story Pulls No Punches

September 25, 2025 | Richard S. Ginell, Musical America
LOS ANGELES—Stage director Francesca Zambello’s wonderfully faithful-to-the-spirit-of-the-original production of West Side Story has been around since 2018—and it probably should be around forever. Using Joshua … » Read
 

Reviews

Kavalier & Clay: The Parade Continues

September 24, 2025 | Fred Cohn, Musical America
The Metropolitan Opera’s 2025–2026 season began in rancor. When general manager Peter Gelb stepped on stage to introduce the September 21 opening night, some in the audience, protesting the Met’s morally dubious business … » Read
 

Reviews

Opera Philly's Delightful New
Il viaggio a Reims

September 26, 2025 | George Loomis, Musical America
The reconstruction of Rossini’s Il viaggio a Reims was one of the late 20th century’s most significant musicological achievements for opera goers. After four performances at Paris’s Théâtre Italian, with a cast … » Read
 

Reviews

A Revelatory Bernstein Kaddish from the LSO

September 23, 2025 | Clive Paget, Musical America
LONDON—One of the refreshing things about Antonio Pappano’s tenure at the London Symphony Orchestra is his willingness to upend the tired old formula of ‘‘Overture, Concerto, Symphony’’—that and an … » Read
 

Reviews

Dead Man Walks Home

September 22, 2025 | Joshua Kosman, Musical America
When Jake Heggie and Terrence McNally’s opera Dead Man Walking had its world premiere at the San Francisco Opera in 2000, I took to the pages of the San Francisco Chronicle and pronounced it a “masterpiece.” I did it with the … » Read
 

Reviews

Human Pianist Wrestles with AI Doppelgänger

September 18, 2025 | Hannah Edgar, Musical America
CHICAGO—Not all that long ago, electronics were a lifeline for Conrad Tao. Feeling creatively stunted during the pandemic, the pianist and composer sought a way to emulate playing with others in isolation. That led him to electronic patches … » Read
 

Reviews

In Salzburg: The End of the World, X2

September 17, 2025 | A. J. Goldmann, Musical America
Opera has never shied away from catastrophe, but two of this summer’s Salzburg production premieres reminded us that Armageddon can unfold not only on battlefields or burning cities but within a single consciousness. One Morning Turns into … » Read
 

Reviews

Pianist Taka Kigawa Meets the Boulez Challenge

September 16, 2025 | Christian Carey, Musical America
As a prominent member of the post-1945 European avant-garde, Pierre Boulez was eager to argue in favor of the new over the old. Even mentor figures such as Olivier Messiaen, or pioneering antecedents like Arnold Schoenberg, had their relevancy … » Read
 
 

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