REVIEWS


Reviews

Unlike Godot, Kurtág's Endgame, Finally Arrives at the Proms

August 22, 2023 | Clive Paget, Musical America
LONDON—This year’s BBC Proms have largely steered clear of the most challenging contemporary music, making this August 17 concert at the Royal Albert Hall a welcome exception. And unlike Samuel Beckett's endlessly awaited Godot, … » Read
 

Reviews

JACK Quartet Rustles, Hisses, And Croaks at Time:Spans

August 21, 2023 | Steve Smith, Musical America
A surprising word came to mind during a concert August 13 at the DiMenna Center for Classical Music. The occasion was the second night of Time:Spans, an annual festival of contemporary classical music. The performers were the JACK Quartet, … » Read
 

Reviews

Mold-Breaking New Music: Eastman, Verona Quartet, Sphinx Virtuosi

August 18, 2023 | Clive Paget, Musical America
U.S. ensembles continue to champion new music with a trio of recent standouts. Julius Eastman Volume 3 The music of once-forgotten composer Julius Eastman, who died unremarked in a Buffalo hospital in 1990, continues to prove an especially rich … » Read
 

Reviews

Bartoli Triumphs as Overstuffed Macbeth Falters in Salzburg

August 18, 2023 | George Loomis, Musical America
SALZBURG, Austria—The Salzburg Festival offers events in such profusion that each day can seem like a mini-festival in itself. With 179 performances (plus 34 more in its youth program) over 43 days, each day of the 2023 festival—the … » Read
 

Reviews

Wickedly Witty G&S at Opera Holland Park

August 11, 2023 | Clive Paget, Musical America
LONDON--Composed in 1887, Ruddigore has suffered by comparison, sandwiched as it was between box office hits The Mikado and The Yeomen of the Guard . And whereas Gilbert and Sullivan’s operas generally won popular acclaim by skewering the … » Read
 

Reviews

Santa Fe II: A Somewhat Puzzling Tosca Update

August 10, 2023 | Thomas May, Musical America
If Orfeo [reviewed yesterday] offered a return-to-origins story about the power of opera—and of live performance, imperiled on so many fronts—Santa Fe’s Tosca , viewed August 1, sought to open up some fresh angles on a wildly … » Read
 

Reviews

In Santa Fe: Muhly Meets Monteverdi in the Underworld

August 9, 2023 | Thomas May, Musical America
SANTA FE, NM—Though its first performance was in 1607, L’Orfeo is filling the new-commission slot for this summer’s Santa Fe Opera season. The company asked Nico Muhly, whose own operas have been staged by the Met, to … » Read
 

Reviews

At Tanglewood: Contemporary Fest Spotlights Women

August 7, 2023 | Leslie Kandell, Musical America
LENOX, Mass.—This year’s five-day Festival of Contemporary Music (FCM) at Tanglewood proved dramatically that plenty of women are not only composing music but performing and conducting it with skill and panache. In addition, the … » Read
 

Reviews

At the Proms: A Bit of "Rubbish" Amid Walton & Sibelius

August 7, 2023 | Hannah Edgar, Musical America
LONDON—A puzzled silence fell over the Royal Albert Hall after the premiere of Kafka’s Earplugs , a BBC commission by Irish composer Gerald Barry. But not for long: “That was rubbish!” shouted one man from the center … » Read
 

Reviews

New Recordings from the Indies

August 4, 2023 | Clive Paget, Musical America
All albums are unique, but some have the power to draw the listener into a very special sound world, like this trio of deftly curated new releases on three of America’s most innovative independent record labels. Take Ennanga , the solo … » Read
 
 

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