REVIEWS


Reviews

The New Ainadamar Staging Comes To Wales

September 12, 2023 | By Keith Clarke, Musical America
CARDIFF—The Metropolitan Opera is set to present Argentinean composer Osvaldo Golijov’s first opera, Ainadamar , during the 2024-25 season, and to judge by the local premiere that opened at the Welsh Millennium Center on September 9, … » Read
 

Reviews

Third Coast Percussion’s Newest Is as Personal as It Is Powerful

September 8, 2023 | Hanna Edgar, Musical America
CHICAGO — Classical music might be ever more undefinable, but one constant is usually assured: works are written by, and reverently credited to, a single composer. For Third Coast Percussion, all bets are off. For the better part of a … » Read
 

Reviews

From Philly to Chicago, Orchestras Record American Classics

September 6, 2023 | Clive Paget, Musical America
The Florence Price renaissance marches on, the latest instalment being The Philadelphia Orchestra’s follow-up to their outstanding recording of the composer’s First and Third Symphonies. Price made history as the first Black woman to … » Read
 

Reviews

Musical Polymorph Self-celebrates Another Decade

September 5, 2023 | John Rockwell
SAN FRANCISCO — John Zorn is a unique, proudly unclassifiable musician. His music spans classical, jazz, film, and klezmer, using notated and improvised scores mostly collaborative or orchestral but occasionally solo. He has been influenced … » Read
 

Reviews

Rattle Farewells LSO with Penetrating Mahler Nine

August 30, 2023 | Clive Paget, Musical America
Goodwill was in the air at this August 28 concert before even a single note had sounded. First of all, there was the inclusion of the no-longer to be axed BBC Singers. Their late-in-the-day appearance at the 2023 Proms followed a … » Read
 

Reviews

A Pioneering Ensemble Enriches Its Path

August 29, 2023 | Steve Smith, Musical America
The International Contemporary Ensemble, an invaluable new-music collective founded in 2001, used to cut a higher profile than it has lately, or at least it seems that way. In a 2007 New York Times article , founder Claire Chase spelled out the … » Read
 

Reviews

Allan Clayton Is Samson at the Proms

August 28, 2023 | Clive Paget, Musical America
LONDON—Last year, the BBC Proms offered a f ine account of Handel’s Solomon , though its grandeur was slightly scuppered by overly modest forces. The Royal Albert Hall is big, and the otherwise excellent BBC Singers rattled around in … » Read
 

Reviews

In Salzburg: A Timely and Arresting Greek Passion

August 25, 2023 | George Loomis, Musical America
The Salzburg Festival’s choice of operas this summer scarcely ventured beyond the tried and true with one notable exception, Behuslav Martinu’s Greek Passion , a work ardently admired by many but here making its festival debut (viewed … » Read
 

Reviews

Sir Simon & the LSO Create Paradise at the Proms

August 25, 2023 | Clive Paget, Musical America
LONDON—Back in the 19th century, Das Paradies und die Peri (Paradise and the Peri) was Robert Schumann’s most popular work. A mishmash of decorative Orientalism and Christian morality, its slushy sentiment appealed to pious Victorian … » Read
 

Reviews

Tristan as an Oasis of Stasis Amid the Storms of Bayreuth

August 24, 2023 | James L. Paulk, Musical America
This has been a summer of epic thunderstorms and steamy heat in Bayreuth, paralleling the controversy surrounding the storied festival’s future. Through four generations of Wagners, and legendary internal and external squabbles, the … » Read
 
 

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