REVIEWS


Reviews

An Uneven Night for a Promising Conductor

February 12, 2024 | Clive Paget, Musical America
LONDON—Oksana Lyniv [pictured] is a notable breaker of glass ceilings. In 2021 she was the first woman to conduct at Bayreuth, opening the festival with a feisty account of The Flying Dutchman . The following year she became the first … » Read
 

Reviews

Isola: A New Opera? Song Cycle? 'Poetic Monodrama'?

February 9, 2024 | Richard S. Ginell, Musical America
LONG BEACH, CA—The world premiere of Alyssa Weinberg’s opera Isola took place February 3 in a site called Compound, a small performance space (Laboratory) attached to a hip-looking art gallery/cafe/bar located on a tiny side street in … » Read
 

Reviews

DiDonato's Peerless Dido Melts Hearts at the Barbican

February 9, 2024 | Mark Valencia, Musical America
LONDON—Joyce DiDonato, shrewd diva that she is, has carved a useful niche in her résumé out of playing one character. That’s Dido, of course, the Carthaginian queen whose name is encoded within her own. As a sequel to … » Read
 

Reviews

Lise Davidson Soars, Conductor Overdoes It

February 8, 2024 | Fred Cohn, Musical America
On February 1 at Carnegie Hall, Lise Davidsen reaffirmed her status as a once-in-a-generation vocal phenomenon. Singing the Wesendonck Lieder , with the Metropolitan Opera Orchestra led by its music director Yannick Nézet-Séguin, … » Read
 

Reviews

Monteverdi's Equal Was a Woman

February 7, 2024 | Clive Paget, Musical America
LONDON—Born in Venice in 1619, Barbara Strozzi was registered as the daughter of Isabella Griega, housekeeper to the academician Giulio Strozzi. That the famous poet and opera librettist went on to adopt her suggests she was his actual … » Read
 

Reviews

At Cal Performances: Eco Delivers Cindy Cox's Musical Landscapes

February 6, 2024 | Steven Winn, Musical America
SAN FRANCISCO—With one of the West’s atmospheric rivers churning away outside, Hertz Hall on the University of California Berkeley campus sheltered a different and more varied display of natural phenomena on February 6: Bustling … » Read
 

Reviews

Pappano and the LSO Set a New Standard for Elijah

February 5, 2024 | Mark Valencia, Musical America
LONDON—For half a century or more, the benchmark recording of Mendelssohn’s Elijah in English has been an all-star affair conducted by Rafael Frühbeck de Burgos. With a solo team led by Dietrich Fischer-Dieskau that included … » Read
 

Reviews

Met Chamber Ensemble Perfectly Evokes Weimar Ebulllience

January 31, 2024 | Fred Cohn, Musical America
Paul Hindemith’s Kammermusik No. 1 , the first work on the Met Orchestra Chamber Ensemble’s January 22 Weill Hall program, opens with an agitated cacophony, all swirling sixteenth notes and trumpet fanfares. Two nights earlier, the … » Read
 

Reviews

MTT's Mahler Five Is a Grand Finale

January 30, 2024 | Steven Winn, Musical America
SAN FRANCISCO—When concertgoers made their way into the main entrance of Davies Symphony Hall on Friday, January 26, they did so via MTT Way , the newly named stretch of Grove Street that honors the San Francisco Symphony’s longtime … » Read
 

Reviews

Nelsons and the BSO Storm Through Lady Macbeth

January 30, 2024 | Lloyd Schwartz, Musical America
BOSTON—The primary hero of the BSO’s January 25 th performance of Shostakovich’s Lady Macbeth of Mtsensk is the composer himself. His second of only two operas (the first was his surrealist comedy, The Nose ) is a circus of … » Read
 
 

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