REVIEWS


Reviews

50 Pianos, 11,000 Strings: An Armory Spectacular

October 3, 2025 | Fred Cohn, Musical America
The Park Avenue Armory’s Drill Hall has long been home to avant-garde spectaculars. A 2008 production of Bernd Zimmerman’s Die Soldaten propelled the audience around on railroad tracks; a 2016 staging of Louis Andriessen's De Materi e … » Read
 

Reviews

Dudamel Whips Up a Storm for His Final LA Phil Opening

October 1, 2025 | Richard S. Ginell, Musical America
LOS ANGELES—Two weeks after he inaugurated his term as Music and Artistic Director-Designate of the New York Philharmonic on Sep. 11, Gustavo Dudamel  opened his final season as Music and Artistic Director of the Los Angeles … » Read
 

Reviews

An Exemplary Mahler 1 in San Francisco

September 30, 2025 | Steven Winn, Musical America
SAN FRANCISCO—With the softly gleaming pedal-point chord that opened the San Francisco Symphony’s performance of Gustav Mahler’s Symphony No. 1 on September 26, a sense that something special was in store began to take hold. The … » Read
 

Reviews

Debutant Recitalist Masters the Form

September 29, 2025 | Fred Cohn, Musical America
Pene Pati revealed, toward the close of his Park Avenue Armory recital, that his program had consisted of songs that he and pianist Ronny Michael Greenberg had often performed together. In light of what we had just heard, his disclosure made … » Read
 

Reviews

LA Opera's West Side Story Pulls No Punches

September 25, 2025 | Richard S. Ginell, Musical America
LOS ANGELES—Stage director Francesca Zambello’s wonderfully faithful-to-the-spirit-of-the-original production of West Side Story has been around since 2018—and it probably should be around forever. Using Joshua … » Read
 

Reviews

Kavalier & Clay: The Parade Continues

September 24, 2025 | Fred Cohn, Musical America
The Metropolitan Opera’s 2025–2026 season began in rancor. When general manager Peter Gelb stepped on stage to introduce the September 21 opening night, some in the audience, protesting the Met’s morally dubious business … » Read
 

Reviews

Opera Philly's Delightful New
Il viaggio a Reims

September 26, 2025 | George Loomis, Musical America
The reconstruction of Rossini’s Il viaggio a Reims was one of the late 20th century’s most significant musicological achievements for opera goers. After four performances at Paris’s Théâtre Italian, with a cast … » Read
 

Reviews

A Revelatory Bernstein Kaddish from the LSO

September 23, 2025 | Clive Paget, Musical America
LONDON—One of the refreshing things about Antonio Pappano’s tenure at the London Symphony Orchestra is his willingness to upend the tired old formula of ‘‘Overture, Concerto, Symphony’’—that and an … » Read
 

Reviews

Dead Man Walks Home

September 22, 2025 | Joshua Kosman, Musical America
When Jake Heggie and Terrence McNally’s opera Dead Man Walking had its world premiere at the San Francisco Opera in 2000, I took to the pages of the San Francisco Chronicle and pronounced it a “masterpiece.” I did it with the … » Read
 

Reviews

Human Pianist Wrestles with AI Doppelgänger

September 18, 2025 | Hannah Edgar, Musical America
CHICAGO—Not all that long ago, electronics were a lifeline for Conrad Tao. Feeling creatively stunted during the pandemic, the pianist and composer sought a way to emulate playing with others in isolation. That led him to electronic patches … » Read
 
 

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