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Reviews
Schenk's Tannhäuser Returns to the Met, Amid Chaos

In a season where the Metropolitan Opera is devoting inordinate attention to “new” operas, prominent composers from the bread-and-butter years before World War II—Puccini being the main exception—tend to be represented by … »
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Opera di Roma's Very White Mefistofele Is Very Dark

MILAN—In recent years, Rome's Teatro dell'Opera has established itself as an artistically adventurous alternative to La Scala, its more traditional competitor in Milan. Having hosted the debut stagings of artist Ai Weiwei ( Turandot , 2022 … »
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Low-profile Instrument Moves to Solo Status

The San Francisco Symphony’s Nov. 24 premiere of Odisea ( Odyssey ), a new concerto for the cuatro by Venezuelan composer Gonzalo Grau, proved to be a special occasion for the San Francisco Chronicle’s chief classical music critic. It … »
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New Simon Boccanegra Signals Japan's Return to the International Opera Scene

TOKYO—Right from its opening in 1997, the New National Theatre, Tokyo has specialized in lavish international productions—Franco Zeffirelli’s Aida and Wolfgang Wagner’s Lohengrin set the tone in its inaugural … »
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Film Crit Misses Music in Maestro

Bradley Cooper’s Maestro , a high-wire act of a biopic, leaps constantly between on stage and off, flying through Leonard Bernstein’s very public life as a conductor while diving into his more private marriage to Felicia Montealegre. … »
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Three Operas, Three Premiere Recordings

Given their prohibitive costs, it’s a miracle opera pops up on disc as often as it does. This trio of new releases proves that not only is there life in the old dog yet, there’s more to be rediscovered by those prepared to dig. The … »
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Met Fails to Capture Florencia's Magic on Stage or in the Pit

It is easy to understand why Florencia en el Amazonas has held the stage in the years since its 1996 Houston Grand Opera premiere. Daniel Catán’s rapturous score, with its echoes of midcentury Hollywood, sweeps us up the Amazon on … »
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Bryn Terfel Returns to New York After Nearly a Decade

In remarks at the start of his Carnegie Hall recital on November 14, Bryn Terfel called it “a trip down memory lane.” The program opened with Gerald Finzi’s Let Us Garlands Bring , Op. 18—the first song cycle he studied in … »
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LA Phil's California Fest Program: Mixed Bag, Mixed Verdict

LOS ANGELES— The California Festival: A Celebration of New Music has been underway since November 3, with virtually every musical organization in the state involved. Ending on Monday, it has been a rather amorphous affair, actually, with … »
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NY Phil Honors Ligeti at 100: Still Much to Discover

Now in his 100th birthday year, György Ligeti (1923– 2006) is a highly regarded, if not always fully understood, composer. An anniversary exploration of his work is well-deserved and welcome; the intricacies of his music reward deep … »
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