REVIEWS


Reviews

Schenk's Tannhäuser Returns to the Met, Amid Chaos

December 4, 2023 | George Loomis, Musical America
In a season where the Metropolitan Opera is devoting inordinate attention to “new” operas, prominent composers from the bread-and-butter years before World War II—Puccini being the main exception—tend to be represented by … » Read
 

Reviews

Opera di Roma's Very White Mefistofele Is Very Dark

December 1, 2023 | James Imam, Musical America
MILAN—In recent years, Rome's Teatro dell'Opera has established itself as an artistically adventurous alternative to La Scala, its more traditional competitor in Milan. Having hosted the debut stagings of artist Ai Weiwei ( Turandot , 2022 … » Read
 

Reviews

Low-profile Instrument Moves to Solo Status

November 30, 2023 | Sarah Shay, Musical America
The San Francisco Symphony’s Nov. 24 premiere of Odisea ( Odyssey ), a new concerto for the cuatro by Venezuelan composer Gonzalo Grau, proved to be a special occasion for the San Francisco Chronicle’s chief classical music critic. It … » Read
 

Reviews

New Simon Boccanegra Signals Japan's Return to the International Opera Scene

November 29, 2023 | Ken Smith, Musical America
TOKYO—Right from its opening in 1997, the New National Theatre, Tokyo has specialized in lavish international productions—Franco Zeffirelli’s Aida and Wolfgang Wagner’s Lohengrin set the tone in its inaugural … » Read
 

Reviews

Film Crit Misses Music in Maestro

November 27, 2023 | Jake Coyle, Associated Press
Bradley Cooper’s Maestro , a high-wire act of a biopic, leaps constantly between on stage and off, flying through Leonard Bernstein’s very public life as a conductor while diving into his more private marriage to Felicia Montealegre. … » Read
 

Reviews

Three Operas, Three Premiere Recordings

November 22, 2023 | Clive Paget, Musical America
Given their prohibitive costs, it’s a miracle opera pops up on disc as often as it does. This trio of new releases proves that not only is there life in the old dog yet, there’s more to be rediscovered by those prepared to dig. The … » Read
 

Reviews

Met Fails to Capture Florencia's Magic on Stage or in the Pit

November 20, 2023 | Fred Cohn, Musical America
It is easy to understand why Florencia en el Amazonas has held the stage in the years since its 1996 Houston Grand Opera premiere. Daniel Catán’s rapturous score, with its echoes of midcentury Hollywood, sweeps us up the Amazon on … » Read
 

Reviews

Bryn Terfel Returns to New York After Nearly a Decade

November 17, 2023 | George Loomis, Musical America
In remarks at the start of his Carnegie Hall recital on November 14, Bryn Terfel called it “a trip down memory lane.” The program opened with Gerald Finzi’s Let Us Garlands Bring , Op. 18—the first song cycle he studied in … » Read
 

Reviews

LA Phil's California Fest Program: Mixed Bag, Mixed Verdict

November 17, 2023 | Richard S. Ginell, Musical America
LOS ANGELES— The California Festival: A Celebration of New Music has been underway since November 3, with virtually every musical organization in the state involved. Ending on Monday, it has been a rather amorphous affair, actually, with … » Read
 

Reviews

NY Phil Honors Ligeti at 100: Still Much to Discover

November 14, 2023 | David Patrick Stearns, Musical America
Now in his 100th birthday year, György Ligeti (1923– 2006) is a highly regarded, if not always fully understood, composer. An anniversary exploration of his work is well-deserved and welcome; the intricacies of his music reward deep … » Read
 
 

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