REVIEWS


Reviews

Another View of Ratmansky's Solitude

March 18, 2024 | Rachel Straus, Musical America
Alexei Ratmansky’s first new work as artist-in-residence of the New York City Ballet stands apart from his internationally acclaimed body of work. Neither a reconstruction of a full-length ballet nor an innovative treatment of codified … » Read
 

Reviews

Celebrating an Esteemed Composer Who Won't Grow Up

March 14, 2024 | Hannah Edgar, Musical America
CHICAGO—When Bernard Rands crossed the threshold from adolescence to adulthood, his parents had had enough. It was time, they said, to give up this music business—it was fine as a hobby, but not as a profession. Rands’s … » Read
 

Reviews

Giant, a Grueling Tale as Opera

March 12, 2024 | Clive Paget, Musical America
LONDON—The tale of Charles Byrne, known to history as the Irish Giant, is a tragedy of operatic proportions. That’s one reason Sarah Angliss’s dramatization of his final year on earth makes such a powerful piece of music … » Read
 

Reviews

At Skirball: Revisiting Anthony Davis; Introducing Leila Adu-Gilmore

March 11, 2024 | Steve Smith, Musical America
George Lewis is a man with a mission, opening the concert-music field to composers previously marginalized or overlooked, and International Contemporary Ensemble audiences are reaping the benefits of his zeal. Since he became artistic director in … » Read
 

Reviews

Circus Whimsy Lifts (Literally) Death in Venice to Magnificent Effect

March 11, 2024 | Keith Clarke, Musical America
CARDIFF–Welsh National Opera is currently on a hunt for a new general director, Aidan Lang having thrown in the towel after just four years in the job amid drastic cuts to the company’s touring program by Arts Council England. Holding … » Read
 

Reviews

Sibelius and Solidarity on the Davies Hall Stage

March 19, 2024 | Steven Winn, Musical America
SAN FRANCISCO—Hours after the stunning news broke that Esa-Pekka Salonen would be stepping down as music director of the San Francisco Symphony, effective at the end of his five-year contract in June of 2025, he took the podium at Davies … » Read
 

Reviews

Vienna Phil Completes Bruckner 9 with Berg 3

March 7, 2024 | Fred Cohn, Musical America
A Bruckner symphony in a standard orchestral concert will almost always serve as the closer—the major work after the intermission—or, in the case of the sprawling Eighth, fill the entire program. But Symphony No. 9 is a special case … » Read
 

Reviews

At the Annual Frequency Festival, European Experimentalists Reign

March 6, 2024 | Hannah Edgar, Musical America
CHICAGO—At any experimental music function, taking the good with the not-so-good is a given. Experiments, by definition, sometimes fail. That made the end-to-end dazzle of this year’s Frequency Festival (Feb. 20 to 25), anchored at … » Read
 

Reviews

Rattle Finesses Beguiling Americana with the LSO + an Adams Premiere

March 5, 2024 | Clive Paget, Musical America
LONDON—When Simon Rattle recorded The Jazz Album back in 1987 it became clear that here was a British conductor with an affinity for American music and an instinct for Gershwin. Likewise, his lasting friendship with John Adams can be dated … » Read
 

Reviews

A Full-Senses Trip to the Funhouse with Scriabin & Salonen

March 4, 2024 | Steven Winn, Musical America
SAN FRANCISCO—Alexander Scriabin, to put it mildly, had a multi-track mind. His never-realized dreams for Mysterium called for a seven-day, appeal-to-all-senses piece to be staged in a cathedral built for the occasion in the Himalayan … » Read
 
 

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