REVIEWS


Reviews

The Pain and Insight of Innocence

June 24, 2024 | Thomas May, Musical America
SAN FRANCISCO—A year after Kaija Saariaho’s death at the age of 70, her final opera, Innocence , received its much-anticipated American debut this month at San Francisco Opera. The work’s reputation as a harrowing and innovative … » Read
 

Reviews

At Grange Park: A Suitably Edgy Katya

June 25, 2024 | Clive Paget, Musical America
LONDON—Grange Park Opera is one of the more accessible and idyllic venues on the U.K.’s country house opera circuit. Comprising a purpose-built brick auditorium with excellent acoustics, surrounded by gorgeous formal gardens, and … » Read
 

Reviews

A Clever Coupling: George Lewis with Claudio Monteverdi

June 25, 2024 | Taylor Grant, Musical America
The world premiere of The Comet / Poppea on June 21 at the Geffen Contemporary at MOCA in Los Angeles demonstrated once again that Yuval Sharon is one of opera’s most imaginative directors. The 80-minute production melded a new score by … » Read
 

Reviews

A Vivid Aural Experience: Girls of the Golden West

June 21, 2024 | Clive Paget, Musical America
When John Adams’s Girls of the Golden West  premiered in November 2017, a great deal of ink was spilt arguing about form and function. Did Peter Sellars’s libretto, culled from diaries, letters, newspaper articles, and mining … » Read
 

Reviews

At Garsington: An Ideal Midsummer Night's Dream

June 20, 2024 | Clive Paget, Musical America
LONDON—Garsington Opera has been snapping at the artistic heels of Glyndebourne Festival of late, delivering an impressive string of hits, many of them daring rarities . This year saw the completion of phase one of the £14.5 million … » Read
 

Reviews

Gambol at Glyndebourne:
A Very Merry Widow

June 19, 2024 | Mark Valencia, Musical America
LONDON—While Bernstein’s Candide (1956) is a musical that aspires to be an operetta, Franz Léhar’s Die Lustige Witwe (1905) looks in the opposite direction. Operetta, musical… what’s in a name? It’s a … » Read
 

Reviews

A Riveting Bluebeard Highlights MET Orchestra Concerts

June 18, 2024 | George Loomis, Musical America
The Metropolitan Opera made partial amends for the absence from its stage this season of two outstanding female singers previously active there, soprano Lisette Oropesa and mezzo-soprano Elina Garanca. The two were featured in two Carnegie Hall … » Read
 

Reviews

The LA Phil at the Barbican: They Aimed to Please

June 17, 2024 | Taylor Grant, Musical America
The Los Angeles Philharmonic’s recent concert at London’s Barbican Center left one veteran music critic yearning for some “real musical satisfaction.” In a program that tried to do too much, writes Ian Hewitt in The … » Read
 

Reviews

An Enigmatic Night in Royal Festival Hall

June 14, 2024 | Clive Paget, Musical America
LONDON—The 80th anniversary of the D-Day landings offered plenty of opportunities here in the U.K to hear Elgar’s Nimrod , a piece of music regularly associated with national remembrance. Equally inviting was a chance to hear it in … » Read
 

Reviews

Uchida Brings Mozart to Ojai, Celebrates Schoenberg & Saariaho

June 13, 2024 | Richard S. Ginell, Musical America
OJAI, CA—Since the 1980s, the Ojai Festival has had a different music director every year, with only the artistic director remaining in place year-round (currently it’s Ara Guzelimian). As a result there have been wide swings in … » Read
 
 

»More News

 
 

RENT A PHOTO

Search Musical America's archive of photos from 1900-1992.

 

»BROWSE & SEARCH ARCHIVE