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Reviews
The Pain and Insight of Innocence
SAN FRANCISCO—A year after Kaija Saariaho’s death at the age of 70, her final opera, Innocence , received its much-anticipated American debut this month at San Francisco Opera. The work’s reputation as a harrowing and innovative … »
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At Grange Park: A Suitably Edgy Katya

LONDON—Grange Park Opera is one of the more accessible and idyllic venues on the U.K.’s country house opera circuit. Comprising a purpose-built brick auditorium with excellent acoustics, surrounded by gorgeous formal gardens, and … »
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A Clever Coupling: George Lewis with Claudio Monteverdi

The world premiere of The Comet / Poppea on June 21 at the Geffen Contemporary at MOCA in Los Angeles demonstrated once again that Yuval Sharon is one of opera’s most imaginative directors. The 80-minute production melded a new score by … »
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A Vivid Aural Experience: Girls of the Golden West

When John Adams’s Girls of the Golden West premiered in November 2017, a great deal of ink was spilt arguing about form and function. Did Peter Sellars’s libretto, culled from diaries, letters, newspaper articles, and mining … »
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At Garsington: An Ideal Midsummer Night's Dream

LONDON—Garsington Opera has been snapping at the artistic heels of Glyndebourne Festival of late, delivering an impressive string of hits, many of them daring rarities . This year saw the completion of phase one of the £14.5 million … »
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Gambol at Glyndebourne:
A Very Merry Widow

LONDON—While Bernstein’s Candide (1956) is a musical that aspires to be an operetta, Franz Léhar’s Die Lustige Witwe (1905) looks in the opposite direction. Operetta, musical… what’s in a name? It’s a … »
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A Riveting Bluebeard Highlights MET Orchestra Concerts

The Metropolitan Opera made partial amends for the absence from its stage this season of two outstanding female singers previously active there, soprano Lisette Oropesa and mezzo-soprano Elina Garanca. The two were featured in two Carnegie Hall … »
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The LA Phil at the Barbican: They Aimed to Please

The Los Angeles Philharmonic’s recent concert at London’s Barbican Center left one veteran music critic yearning for some “real musical satisfaction.” In a program that tried to do too much, writes Ian Hewitt in The … »
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An Enigmatic Night in Royal Festival Hall

LONDON—The 80th anniversary of the D-Day landings offered plenty of opportunities here in the U.K to hear Elgar’s Nimrod , a piece of music regularly associated with national remembrance. Equally inviting was a chance to hear it in … »
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Uchida Brings Mozart to Ojai, Celebrates Schoenberg & Saariaho

OJAI, CA—Since the 1980s, the Ojai Festival has had a different music director every year, with only the artistic director remaining in place year-round (currently it’s Ara Guzelimian). As a result there have been wide swings in … »
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