REVIEWS


Reviews

No-frills Onegin at Covent Garden

September 30, 2024 | Mark Valencia, Musical America
LONDON—New York-born Ted Huffman has carved a niche in Europe as a distinctive director of emotionally profound, psychologically probing opera productions. From Monteverdi to Maxwell Davies and beyond, his work teems with ideas, often … » Read
 

Reviews

Grounded Opens the Met Season

September 27, 2024 | Fred Cohn, Musical America
George Brant, librettist of the opera Grounded , with music by Jeanine Tesori, has fashioned its text from his 2013 play of the same name. In order to turn what was originally a one-woman show into a full-scale opera, the creators have added … » Read
 

Reviews

Meredith Monk Blankets Space with Indra's Net

September 26, 2024 | David Patrick Stearns, Musical America
Expansive but not imposing, profound but never weighty, Meredith Monk's new, 80-minute music-theater piece Indra's Net handily filled the Park Avenue Armory's vast drill hall on September 23, while also shrugging off any pretensions of … » Read
 

Reviews

They Dared to Dream Big: Handel’s Water Music on the Chicago River

September 25, 2024 | Hannah Edgar, Musical America
CHICAGO— It’s one thing to perform for 1,500 people, the capacity of downtown Chicago’s Harris Theater. How about performing for 15,000 people? Music of the Baroque grew its audience by at least that much on September 18, thanks … » Read
 

Reviews

In Illinois: A Deep Dive Into the American Symphonists

September 24, 2024 | Hannah Edgar, Musical America
PALOS HEIGHTS, Ill.— It would be herculean for even a major orchestra to tackle three symphonies on a single program. Now imagine a regional orchestra doing the same, with three symphonies most musicians haven’t heard live in their … » Read
 

Reviews

In NY: Masur, Mahler and Memory

September 24, 2024 | Fred Cohn, Musical America
It was hard to discern the through-line in the New York Philharmonic’s September 19 program. It was billed as having been “curated by the orchestra’s musicians”––a team of players working alongside … » Read
 

Reviews

Dudamel and Damrau Finesse Kaufmann's 11th-hour No-show

September 17, 2024 | Richard S. Ginell, Musical America
HOLLYWOOD—Gustavo Dudamel didn’t drop by Hollywood Bowl until the last two weeks of the Los Angeles Philharmonic’s summer season. But when he did, he brought with him a bewilderingly eclectic series of six programs, the last of … » Read
 

Reviews

Familiar Faces and Rep Open New York Philharmonic Season

September 16, 2024 | George Loomis, Musical America
The first concert of the New York Philharmonic’s new season, on Sept. 12, was conducted by an eminent maestro associated with the West Coast. It was not the orchestra’s music director-elect, Gustavo Dudamel, nor was the event … » Read
 

Reviews

In London, Welcome to Antonio Pappano's Brave New World

September 13, 2024 | Clive Paget, Musical America
At long last, the wait is over. Although he is no stranger by any means, September 11 saw Sir Antonio Pappano finally arrive at his first Barbican Centre concert as the London Symphony Orchestra’s chief conductor. Ad hoc performances in the … » Read
 

Reviews

Paul Robeson, the Complete Package at Long Last

September 11, 2024 | Clive Paget, Musical America
Paul Robeson was much more than just a singer. A consummate stage and film actor, an all-American football player, a qualified lawyer, and a tireless advocate for civil rights, he was an outspoken critic of racism, colonialism, and social … » Read
 
 

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