REVIEWS


Reviews

Tan Dun’s Moving Buddha Passion Gets Its U.S. Premiere

February 13, 2019 | Thomas May, Musical America
LOS ANGELES—A signature of Tan Dun’s most successful compositions is his gift for mixing putatively disparate elements into powerfully original amalgams. To make that happen means being able to take serious risks—and the premise … » Read
 

Reviews

Carsen's Delicious Staging of Midsummer Makes Its Stateside Debut

February 12, 2019 | Clive Paget, Musical America
PHILADELPHIA-- It may have taken 28 years to reach the U.S., but Robert Carsen’s near-definitive staging of Benjamin Britten’s A Midsummer Night’s Dream has finally made landfall at the Philadelphia Academy of Music, giving … » Read
 

Reviews

City Ballet Honors Its Famed Collaborators

February 11, 2019 | Rachel Straus, Musical America
The components of the Balanchine-Stravinsky Greek-themed trilogy Apollo (1928), Orpheus (1948) and Agon (1957) are infrequently seen together, perhaps because the middle ballet is not an outright crowd pleaser. But the sum of the whole is greater … » Read
 

Reviews

Two Concerts, Two Premieres at the Seattle Symphony

February 11, 2019 | Thomas May, Musical America
SEATTLE—As Ludovic Morlot’s final season at the helm of the Seattle Symphony gets closer to the final stretch, his legacy of nurturing new music is coming into sharper relief. The SSO’s last two programs in … » Read
 

Reviews

A Low-Key Tribute to a Living Legend

February 8, 2019 | Clive Paget, Musical America
Let’s start with a little perspective. Leon Fleisher was born in San Francisco in 1928. He was playing piano before Hitler became Chancellor of Germany; he made his 1944 New York Philharmonic debut in the closing years of World War II under … » Read
 

Reviews

A Musically Stellar Katya Marks Edward Gardner's Belated ROH Debut

February 7, 2019 |
Mark Valencia, Musical America
LONDON—With careless synchronicity, no fewer than three UK opera companies are presenting Kátya Kabanová in the current season. I was under the impression that company bosses coordinated their plans, but apparently not. … » Read
 

Reviews

Ursula Oppens Tribute Launches Terrance McKnight's New Series

February 5, 2019 | Christian B. Carey, Musical America
WQXR host Terrance McKnight [named one of Musical America’s 2019 Top Professionals ] launched his “Only at Merkin” series on February 2, with a 75 th -birthday tribute to pianist and intrepid interpreter Ursula Oppens. Billed as … » Read
 

Reviews

A Sanford Sylvan Mentee Honors His Teacher in Recital Debut

February 4, 2019 | Clive Paget, Musical America
These days, it’s an ever-increasing challenge to be noticed, and young singers are no exception. It has to be said, however, that young Polish countertenor, Jakub Jósef Orlinski has more than a few advantages to make him stand out … » Read
 

Reviews

Two Stagings at Opéra de Paris, One Booed, One Lauded

February 1, 2019 | Mark Valencia, Musical America
PARIS—What does Russian director Dmitri Tcherniakov have against the French? First Bizet, now Berlioz… Gallic composers inspire him to put their leading characters into analysis. A year on from his hotel-lobby Carmen in … » Read
 

Reviews

Chamber Music of the Masters by the Masters

January 29, 2019 | Leslie Kandell, Musical America
A program of non-blockbuster 19th-century piano quartets by Suk, Brahms, and Dvorák doesn’t sound like anything to write home about, really. Maybe not much to keep listeners awake, either. But the audience at Sunday’s concert … » Read
 
 

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