REVIEWS


Reviews

New Concert Series Searches for Light Amid the Dark

October 17, 2024 | David Patrick Stearns, Musical America
Who would have thought that the opening of a concert space in a subterranean crypt would be a significant development on the New York music scene? Death of Classical, the organization that presents often-challenging programs in what it describes … » Read
 

Reviews

Revisiting ...Tahiti & A Quiet Place as a Double Bill

October 17, 2024 | Clive Paget, Musical America
LONDON—Leonard Bernstein’s A Quiet Place has a reputation as a problem work. The sequel to his 1952 two-hander Trouble in Tahiti , it explores the repercussions of the turbulent marriage depicted in the earlier work. Badly received at … » Read
 

Reviews

A Masterly New Turn of the Screw Chills to the Bone

October 16, 2024 | Clive Paget, Musical America
LONDON—Benjamin Britten’s The Turn of the Screw may be a masterpiece, but it’s a delicate one, especially with child abuse such a hot button issue today. The composer went about as far as anyone could in 1954 to foreground an … » Read
 

Reviews

LA Phil Introduces Substantial New Cello Concerto to NY

October 16, 2024 | George Loomis, Musical America
Two years remain before Gustavo Dudamel takes over as music director of the New York Philharmonic in 2026, and until then his podium appearances will be infrequent: for the current season, two weeks of subscription concerts plus a third for the … » Read
 

Reviews

At Segerstrom, London Phil Is Outshined by Its Soloist

October 16, 2024 | Taylor Grant, Musical America
A visit by the London Philharmonic and its principal conductor Edward Gardner on Oct. 11 kicked off the 71 st season of the Philharmonic Society of Orange County with a program that featured Shostakovich and Tchaikovsky. [The orchestra comes to … » Read
 

Reviews

M. Pintscher Conducts NY Phil in His neharot

October 15, 2024 | Fred Cohn, Musical America
Matthias Pintscher’s 25-minute tone poem neharot is quite explicitly a piece of program music, one that is governed by its external referent. Written in 2020, the piece is a response to the COVID-19 pandemic; the composer has described it … » Read
 

Reviews

The Chicago Philharmonic Crosses Genres and Succeeds

October 15, 2024 | Wynne Delacoma, Musical America
CHICAGO—It was not orchestral music as usual last week in downtown Chicago. Yes, the Chicago Symphony was in residence at Symphony Center Thursday and Friday with repertoire including a Chopin piano concerto and Shostakovich’s Fifth … » Read
 

Reviews

AAM Pygmalion: Conductor Saves the Show. Literally.

October 14, 2024 | Clive Paget, Musical America
LONDON—Forget boy meets girl, boy loses girl. Try boy spots girl skinny dipping, girl turns boy into stag, boy gets torn to pieces by dogs. Just another day in Ancient Greece. Seriously though, Ovid’s tale of Diana and Acteon makes … » Read
 

Reviews

Il Trittico in Wales: Perhaps the Best Ever

October 10, 2024 | Mark Valencia, Musical America
CARDIFF—Just when it seems to be thriving, musical Wales is in crisis. Welsh National Opera (WNO) in particular may not even survive the season. Wales is still governed from London, which has devolved the day-to-day domestic administration … » Read
 

Reviews

Davóne Tines's ROBESON Live: A Fumbled Triumph

October 9, 2024 | Hannah Edgar, Musical America
CHICAGO— Outside Chicago’s Harris Theater, an LED marquee announces what’s on that evening. On Oct. 1, it beamed a sultry portrait of bass-baritone Davóne Tines—sharply dressed, his shirt unbuttoned enough to reveal … » Read
 
 

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