Ivo van Hove is riding the crest of a wave right now. A 2016 Tony-Award-winner for A View from the Bridge , he has been earning raves from local critics over his current high-tech Broadway production of Network (with a visceral central … » Read

Dust never has too much time to settle on Marc Blitzstein’s The Cradle Will Rock before another revival comes along, and that’s the way it should be for this classic of American opera, which Blitzstein called a play in music. The … » Read

LOS ANGELES--The Los Angeles Philharmonic program April 6 in Disney Concert Hall, perhaps by chance, featured a trio of women, including a female soloist, a female conductor, and a female composer of a world premiere. In a season, the … » Read

When the Metropolitan Opera last did La Clemenza di Tito seven years ago, I thought the time had come for a new production. Jean-Pierre Ponnelle’s 1984 treatment of Mozart’s last opera, together with his companion production of … » Read

LONDON--Ian Bell’s new opera, Jack the Ripper , given its world premiere by English National Opera at the London Coliseum on Mar. 30, demands to be taken seriously. Not that the story of a real-life serial killer of prostitutes is ever … » Read

LOS ANGELES--The Kaleidoscope Chamber Orchestra, now in its fifth season, is a good group, an interesting group, and an entertaining group. It works without a conductor, and mostly benefits from that decision. A Sunday afternoon performance … » Read

In the lead up to the Metropolitan Opera’s current revival of Der Ring des Nibelungen , the company went to a lot of trouble ironing out technical problems that had plagued Robert Lepage’s production of the Wagner tetralogy, last seen … » Read

LONDON—Narratively inferior to both Simon Boccanegra and Don Carlos , works that sit either side of it in Verdi’s chronology, La Forza del Destino is as hokey a tale as he ever set. It’s more a concatenation of coincidences than … » Read

Saturday night (March 23) at David Geffen Hall, continued over the road at 10:30pm in the Stanley H. Kaplan Penthouse, was a case of smart programming. For starters, pairing John Adams’s searing, introspective The Wound Dresser with Charles … » Read

Opera and surrealism make strange bedfellows, yet they have been known to cohabit, sometimes productively. Take Shostakovich’s The Nose , Prokofiev’s The Fiery Angel and Ligeti’s Le Grand Macabre , for instance. They may not be … » Read