REVIEWS


Reviews

Huns on the March! La Scala Opens with a WWII Update

December 10, 2018 | Paul du Quenoy, Musical America
MILAN--Arguably Europe’s most important cultural event, opening night at La Scala always falls on December 7, the feast day of the city’s patron saint, St. Ambrose. The usual gathering of Italian politicians, second-tier celebrities, … » Read
 

Reviews

Kentridge's Latest Magnum Opus Is Designed to Discombobulate

December 10, 2018 | Clive Paget, Musical America
Did you know that the first shot from a member of the British forces in the First World War was fired by an African? And in Africa? The man was part of the British West African Frontier Force, which was in the process of invading the German … » Read
 

Reviews

A Freshly Tamed Traviata Launches Yannick at the Met

December 7, 2018 | Christopher Corwin, Musical America
Verdi’s “lost one” found her way once again to the Metropolitan Opera on Tuesday for the sixth new production of La Traviata since the company moved to Lincoln Center in 1966. Perhaps in response to its previous staging, Willy … » Read
 

Reviews

Anthracite Fields, as Performed by the Experts

December 4, 2018 | Clive Paget, Musical America
It’s heartening to see a fine work like Julia Wolfe’s 2015 Pulitzer prize-winning Anthracite Fields slowly but surely make its way into the repertoire. It’s also rare to hear new music that offers social comment without ramming … » Read
 

Reviews

Chiara Muti Stages Così with Dad in the Pit

November 30, 2018 | James Imam, Musical America
NAPLES, Italy—Riccardo Muti has generally steered clear of staged opera in recent years, preferring to showcase his Verdi in concert, a format perfected in Chicago and last summer in Florence and Ravenna, Italy, with Macbeth . But that … » Read
 

Reviews

Rare Hindemith Opera Gets Fringe Treatment

November 28, 2018 | John von Rhein, Musical America
CHICAGO – If the big operas of Paul Hindemith, including Cardillac (1926) and Mathis der Maler (1935), have largely been ignored by major opera companies in recent decades, the relatively modest demands of the German composer’s … » Read
 

Reviews

In El Ay: More Fluxus from the Phil

November 26, 2018 | Richard S. Ginell, Musical America
LOS ANGELES – At various points during its centennial season, the Los Angeles Philharmonic is giving prime-time exposure to Fluxus, one of the most—if not the most—controversial artistic concepts of the 1960s and `70s, and … » Read
 

Reviews

ENO Stages Britten's War Requiem

November 21, 2018 | Keith Clarke, Musical America
The centenary of the end of the first world war has been marked with an outburst of cultural activity, notably Peter Jackson’s superb film They Shall Not Grow Old , which not only colorizes war footage but has used lip readers to enable … » Read
 

Reviews

Saariaho’s Only the Sound Remains Opens a Window on Wonder

November 20, 2018 | Clive Paget, Musical America
Noh theater has been fascinating the West since the fall of the Tokugawa shogunate in 1868 opened up Japan and its cultural institutions. Beckett, Yeats, and Peter Brook have all been drawn to Noh. Of its 2000 or so traditional tales, … » Read
 

Reviews

Machover's Schoenberg in Hollywood Offers Hummable Tunes in 12 Tones

November 19, 2018 | Lloyd Schwarz, Musical America
BOSTON—The head of MIT’s Media Lab (and Musical America’s 2016 Composer of the Year) has a new opera—a labor of love, not a response to a commission. After a gestation period of some 20 years, Tod Machover’s … » Read
 
 

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