REVIEWS


Reviews

A Musically Stellar Katya Marks Edward Gardner's Belated ROH Debut

February 7, 2019 |
Mark Valencia, Musical America
LONDON—With careless synchronicity, no fewer than three UK opera companies are presenting Kátya Kabanová in the current season. I was under the impression that company bosses coordinated their plans, but apparently not. … » Read
 

Reviews

Ursula Oppens Tribute Launches Terrance McKnight's New Series

February 5, 2019 | Christian B. Carey, Musical America
WQXR host Terrance McKnight [named one of Musical America’s 2019 Top Professionals ] launched his “Only at Merkin” series on February 2, with a 75 th -birthday tribute to pianist and intrepid interpreter Ursula Oppens. Billed as … » Read
 

Reviews

A Sanford Sylvan Mentee Honors His Teacher in Recital Debut

February 4, 2019 | Clive Paget, Musical America
These days, it’s an ever-increasing challenge to be noticed, and young singers are no exception. It has to be said, however, that young Polish countertenor, Jakub Jósef Orlinski has more than a few advantages to make him stand out … » Read
 

Reviews

Two Stagings at Opéra de Paris, One Booed, One Lauded

February 1, 2019 | Mark Valencia, Musical America
PARIS—What does Russian director Dmitri Tcherniakov have against the French? First Bizet, now Berlioz… Gallic composers inspire him to put their leading characters into analysis. A year on from his hotel-lobby Carmen in … » Read
 

Reviews

Chamber Music of the Masters by the Masters

January 29, 2019 | Leslie Kandell, Musical America
A program of non-blockbuster 19th-century piano quartets by Suk, Brahms, and Dvorák doesn’t sound like anything to write home about, really. Maybe not much to keep listeners awake, either. But the audience at Sunday’s concert … » Read
 

Reviews

A 'Fire' of Operatic Proportions Ignites Geffen Hall

January 28, 2019 | Clive Paget, Musical America
Julia Wolfe is no stranger to the history of industrial relations and its tragedies. Her Steel Hammer (2009) for three sopranos and chamber orchestra examined the often fractious relationship between man and machine through the tale of African … » Read
 

Reviews

Met Orchestra and Conductor as Stars of Pelléas

January 24, 2019 | Christian B. Carey, Musical America
NEW YORK - The Metropolitan Opera hasn’t presented Debussy’s sole completed opera, Pelléas et Mélisande (1895), since Sir Simon Rattle conducted it in 2010. The company’s new music director, Yannick … » Read
 

Reviews

ROH Queen of Spades as Bizarre Tchaikovsky Lookalike Contest

January 16, 2019 | Mark Valencia, Musical America
LONDON—The Royal Opera was at pains to release advance information about its production of The Queen of Spades so no one could say they hadn’t been warned. This was to be a reinterpretation rather than a recreation, with director … » Read
 

Reviews

Two Prototype Operas Tackle Sex Themes

January 11, 2019 | Clive Paget, Musical America
Now in its seventh year, Manhattan’s Prototype Festival, a co-production with Beth Morrison Projects and HERE, is a fascinating mix of mostly new, edgily contemporary, multi-disciplinary opera and music theater. As a prime example of its … » Read
 

Reviews

A Sonic Wall at National Sawdust

January 9, 2019 | Clive Paget, Musical America
An established artist and co-founder of ICE (International Contemporary Ensemble), the Chinese-born American composer Huang Ruo is a perfect match for National Sawdust’s FERUS festival, defined as “a showcase of untamed voices.” … » Read
 
 

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