REVIEWS


Reviews

In LA, Kaleidoscope Orch Asks, 'Who Needs a Conductor'?

April 3, 2019 | Timothy Mangan, Musical America
LOS ANGELES--The Kaleidoscope Chamber Orchestra, now in its fifth season, is a good group, an interesting group, and an entertaining group. It works without a conductor, and mostly benefits from that decision. A Sunday afternoon performance … » Read
 

Reviews

Machine Works, but That's Only Half the Battle in Met Ring

April 1, 2019 | George Loomis, Musical America
In the lead up to the Metropolitan Opera’s current revival of Der Ring des Nibelungen , the company went to a lot of trouble ironing out technical problems that had plagued Robert Lepage’s production of the Wagner tetralogy, last seen … » Read
 

Reviews

Stars Align for Once in Netrebko and Kaufmann's Forza

March 25, 2019 | Mark Valencia, Musical America
LONDON—Narratively inferior to both Simon Boccanegra and Don Carlos , works that sit either side of it in Verdi’s chronology, La Forza del Destino is as hokey a tale as he ever set. It’s more a concatenation of coincidences than … » Read
 

Reviews

Goerne and the Attacca Quartet Do John Adams Proud

March 26, 2019 | Clive Paget, Musical America
Saturday night (March 23) at David Geffen Hall, continued over the road at 10:30pm in the Stanley H. Kaplan Penthouse, was a case of smart programming. For starters, pairing John Adams’s searing, introspective The Wound Dresser with Charles … » Read
 

Reviews

Julietta Remains Elusive Despite Persuasive Performance

March 27, 2019 | George Loomis, Musical America
Opera and surrealism make strange bedfellows, yet they have been known to cohabit, sometimes productively. Take Shostakovich’s The Nose , Prokofiev’s The Fiery Angel and Ligeti’s Le Grand Macabre , for instance. They may not be … » Read
 

Reviews

BSO, Gerstein Wrestle a Fabulous New Beast

March 22, 2019 | Clive Paget, Musical America
There was a definite buzz in the air for the second of the Boston Symphony Orchestra’s Carnegie Hall concerts on March 20. Reviews suggested Kirill Gerstein had scored a major hit a fortnight earlier on the BSO’s home turf with the … » Read
 

Reviews

A Seasoned Traveler's Perspective: Two Months, Four Cities, Five Orchestras

March 19, 2019 | John Rockwell, Musical America
Some 60 years ago, when I was in college, I passed out programs for the Boston Symphony’s Friday matinees. I chose program passing over ushering since ushers had to spend a third of the concert out in the halls, in case of emergencies, … » Read
 

Reviews

Salonen, Philharmonia Premiere Dreamers in SF

March 20, 2019 | Georgia Rowe, Musical America
BERKELEY, CA--Anticipation couldn’t have been running much higher when Esa-Pekka Salonen and the Philharmonia Orchestra of London, arrived in Berkeley last weekend. With three programs on the schedule, Friday evening through Sunday … » Read
 

Reviews

The Utter Irony and Sad Timeliness of An American Dream

March 18, 2019 | John von Rhein, Musical America
Nothing changes. The bigotry, racism, nativism, and anti-Semitism that provide a basis for composer Jack Perla and librettist Jessica Murphy Moo’s An American Dream remain as real in America today as they were when the nation was at war … » Read
 

Reviews

Two Song Cycles, One a Post-minimalist Premiere, One an Argento Classic

March 15, 2019 | Clive Paget, Musical America
For the second time in as many days, a Manhattan recital turned into a memorial. Following Anne-Sophie Mutter’s Carnegie Hall concert that concluded as a moving tribute to her late husband André Previn, so the March 13 traversal … » Read
 
 

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