REVIEWS


Reviews

A New Concerto, a Conductor's Welcome Return

February 3, 2020 | Clive Paget, Musical America
Since she finished in Hamburg where she headed up the Staatsoper and Philharmonic from 2005 to 2015, Simone Young has become an increasingly sought-after guest on the international circuit. From 2022, the Australian-born conductor will take up … » Read
 

Reviews

Omer Meir Wellber Launches His Regime at Teatro Massimo

January 30, 2020 | James Imam, Musical America
MILAN--Omer Meir Wellber's inaugural production as the new (as of January 1) music director of Palermo's Teatro Massimo could hardly have been more ambitious. Parsifal was completed in Palermo in 1882 but had not been performed at the Massimo for … » Read
 

Reviews

Jörg Widmann Meets ICE in Zankel Hall: "We Fell in Love"

January 30, 2020 | Clive Paget, Musical America
When stars collide, expect fireworks. That was certainly the case January 28 when Carnegie’s Zankel Hall bore witness to the stellar conjunction of pre-eminent German composer Jörg Widmann and ICE, America’s outstanding new music … » Read
 

Reviews

Opera North’s Street Scene Is Brilliant, Save for One Glaring Flaw

January 24, 2020 | Mark Valencia, Musical America
LEEDS—Kurt Weill’s 1949 urban tragedy falls between two generic stools and has been made to suffer for it. Is it opera or musical theater? What kind of voice does it need, classically trained or Broadway belter? Does music drive the … » Read
 

Reviews

Flower Power: Julia Wolfe Explodes the 1960s

January 21, 2020 | Richard S. Ginell, Musical America
LOS ANGELES –-The events, personalities and issues of the 1960s—the riots, the assassinations, the Beatles, drugs, free love, Vietnam, feminism, black power, etc.—have been publicized so much as to nearly lose their power to … » Read
 

Reviews

At Prototype, Rev. 23. Why?

January 20, 2020 | Clive Paget, Musical America
The greatest operas are those in which outstanding music is wed to a powerful, poetic libretto. Contemporary examples include John Adams’s work with Alice Goodman ( Nixon in China , The Death of Klinghoffer ), or George Benjamin’s … » Read
 

Reviews

Prototype: Ellen West Gets Its NY Debut, plus a Collage of Women's Voices

January 16, 2020 | Clive Paget, Musical America
If it’s January it must be Prototype. Now in its eighth year, New York’s laboratory for original opera and music theater works goes from strength to strength, a combination of artistic savvy, raw passion, and a feeling for the … » Read
 

Reviews

Wozzeck: A Night at the Opera Not Soon Forgotten

December 30, 2019 | Clive Paget, Musical America
For opera to retain its relevance today it needs to be either timely or timeless. Alban Berg’s Wozzeck (1925), based on Georg Büchner’s Woyzeck , one of the most ahead-of-its-time plays ever written, happens to be both. An … » Read
 

Reviews

Christmas at the Cloisters with the Crossing

December 26, 2019 | Clive Paget, Musical America
For those tired of the seasonal same old, same old, The Crossing’s Christmas offering might not have looked that festive on paper, but it certainly gave pause for thought. For its December 21 concert in the atmospheric surrounds of the … » Read
 

Reviews

New Opera Gives Voice to Ill-treated Domestics in Asia

December 18, 2019 | Georgia Rowe, Musical America
SAN FRANCISCO--Much like those of past eras, today’s opera composers often concern themselves with themes of injustice and the abuse of power. Mila , a new chamber opera by composer Eli Marshall and librettist Candace Chong, depicts the … » Read
 
 

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