REVIEWS


Reviews

At the Shed: Solid Musicianship Despite Some 'tude

November 26, 2019 | George Loomis, Musical America
Teodor Currentzis and his musicAeterna chorus and orchestra made their belated North American debut last week with the Verdi Requiem. For more than a decade, the Greek-Russian conductor has won considerable acclaim in his homeland and throughout … » Read
 

Reviews

At the SFOpera: Fairy Tales and Melodrama

November 26, 2019 | Thomas May, Musical America
SAN FRANCISCO—Across the street from San Francisco Symphony’s concert presentation of the first act of Die Walküre , a different opera about a pair of siblings on the run from danger appeared on the San Francisco Opera stage. … » Read
 

Reviews

At NYFoS, It's Blitzstein 10, Weill 0

November 22, 2019 | Clive Paget, Musical America
For all the fame and fortune of one and the relative obscurity of the other, Kurt Weill and Marc Blitzstein make natural bedfellows. By the time that Weill, the doyen of left-wing Weimar-era music theater, had morphed into the Broadway composer … » Read
 

Reviews

At the Barbican, an Uneasy Collaboration: Herbie Hancock, LA Phil, Dudamel

November 21, 2019 | Keith Clarke, Musical America
LONDON—The Barbican Center got two dudes for the price of one during a three-night residency by the Los Angeles Philharmonic. Gustavo Dudamel kicked off on Nov. 18 with the London premiere of John Adams’s piano concerto Must the Devil … » Read
 

Reviews

A Surprise Star Emerges in NSO's Tristan und Isolde

November 20, 2019 | George Loomis, Musical America
It is not unheard of for the singer of King Marke to win highest honors in a performance of Tristan und Isolde  It happened in 1981 when Matti Salminen made his Metropolitan Opera debut in James Levine’s first performance of the opera … » Read
 

Reviews

Here's a Switch: Director Saves Philip Glass's Banal Score

November 20, 2019 | Mark Valencia, Musical America
LONDON—It’s fourth time lucky in English National Opera’s Orpheus season. In the operas of Gluck , Offenbach , and Birtwistle a trio of unsatisfactory stagings diverted attention from some fine all-round musicianship, so it has … » Read
 

Reviews

Chicago Symphony Blows a Fresh Blast of Prokofiev

November 19, 2019 | Clive Paget, Musical America
Chicago has a long and intimate relationship with Prokofiev. He made his  Chicago Symphony Orchestra debut as conductor composer, and soloist early as 1918, and Chicago was the first American city to hear music from his new ballet Romeo and … » Read
 

Reviews

Navigating Big Dance Theater: A Challenge Worth the Effort

November 18, 2019 | Chava Pearl Lansky, Musical America
Annie-B Parson is the queen of gesture. The artistic director and co-founder of Big Dance Theater, she has an innate ability to layer seemingly random and pedestrian movements with textual references to create works that are at once funny, … » Read
 

Reviews

Ivy Leaguers Invade Zankel Hall: ACO’s “New England Echoes”

November 15, 2019 | Clive Paget, Musical America
What do contemporary composers Matthew Aucoin, Hannah Lash, Jonathan Bailey Holland, and Hilary Purrington have in common? The answer is New England, and in particular its universities, as American Composers Orchestra’s November 13 … » Read
 

Reviews

A Stunning, Spiritual Experience in Alice Tully Hall

November 14, 2019 | Clive Paget, Musical America
Once one of the bad boys of British music, James MacMillan—now Sir James MacMillan—still regularly manages to raise an eyebrow or two. His outspoken views on politics (he’s a committed socialist) and religion (he’s a … » Read
 
 

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