REVIEWS


Reviews

LA Phil Reprises Reykjavik Festival, in Miniature

February 11, 2020 | Richard S. Ginell, Musical America
LOS ANGELES – Even for an organization that routinely shoots for the new and unusual, the Los Angeles Philharmonic’s 2017 Reykjavik Festival was really out there, a gamble that music from remote Iceland would find an audience in … » Read
 

Reviews

Miller Theater Composer Portrait: Caroline Shaw on a New Path

February 11, 2020 | Christian B. Carey, Musical America
Caroline Shaw won the Pulitzer Prize in Music Composition in 2013, the youngest person to do so. The winning work, Partita, written for the vocal ensemble Roomful of Teeth, of which she is a member, displays a plethora of musical styles, ranging … » Read
 

Reviews

Met's Agrippina: Saved by the Voices, Especially Hers

February 10, 2020 | Clive Paget, Musical America
With its scheming politicos, sexual shenanigans, and an air of jaded amorality, Handel’s Agrippina is the perfect opera to hold a mirror up to our own times. It’s not surprising then that Sir David McVicar chose a contemporary … » Read
 

Reviews

In Zurich: Cecilia Bartoli Is Gluck's Iphigénie

February 10, 2020 | James Imam, Musical America
MILAN--Alexander Pereira's two-decade tenure as Intendant of Zurich Opera ended eight years ago, but his legacy appears to be alive and kicking. The Austrian manager gave Cecilia Bartoli a number of early breaks at the company (she celebrated 30 … » Read
 

Reviews

At Teatro Lirico: There's a Reason This 20th-Century Opera Is Obscure

February 6, 2020 | James Imam, Musical America
MILAN--From Leoncavallo's I Medici to Giordano's La cena delle beffe , the grisly world of Renaissance Italy was repeatedly explored by verismo and late-verismo composers. Perhaps the brutality associated with the period sat well with a musical … » Read
 

Reviews

Conrad (Tao) and Caleb (Teicher), Scratching and Tapping in Boston

February 5, 2020 | Keith Powers, Musical America
BOSTON--Choreographer/dancer Caleb Teicher and pianist/composer Conrad Tao opened a short run of their More Forever, on January 31 in the Plimpton Shattuck Black Box Theater at New England Conservatory. Part of Boston’s Celebrity Series, … » Read
 

Reviews

Aucoin's Eurydice Is Strong on Ideas, but Not Quite a Masterpiece

February 3, 2020 | Richard S. Ginell, Musical America
LOS ANGELES—The legend of Orpheus and Eurydice has been prime fodder for composers for centuries, from Monteverdi to Stravinsky and beyond. Yet for reasons that no one has been able to definitively explain, the fetish for all things … » Read
 

Reviews

City Ballet Opens 2020 with New Ratmansky and Old Friends

February 4, 2020 | Chava Pearl Lansky, Musical America
Alexei Ratmansky is known as a highly musical choreographer, celebrated for his reconstructions of 19th-century classics and explorations of Eastern European folk-inspired styles. So the announcement that his newest work for New York City Ballet … » Read
 

Reviews

A New Concerto, a Conductor's Welcome Return

February 3, 2020 | Clive Paget, Musical America
Since she finished in Hamburg where she headed up the Staatsoper and Philharmonic from 2005 to 2015, Simone Young has become an increasingly sought-after guest on the international circuit. From 2022, the Australian-born conductor will take up … » Read
 

Reviews

Omer Meir Wellber Launches His Regime at Teatro Massimo

January 30, 2020 | James Imam, Musical America
MILAN--Omer Meir Wellber's inaugural production as the new (as of January 1) music director of Palermo's Teatro Massimo could hardly have been more ambitious. Parsifal was completed in Palermo in 1882 but had not been performed at the Massimo for … » Read
 
 

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