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Reviews
LA Phil Reprises Reykjavik Festival, in Miniature
LOS ANGELES – Even for an organization that routinely shoots for the new and unusual, the Los Angeles Philharmonic’s 2017 Reykjavik Festival was really out there, a gamble that music from remote Iceland would find an audience in … »
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Miller Theater Composer Portrait: Caroline Shaw on a New Path
Caroline Shaw won the Pulitzer Prize in Music Composition in 2013, the youngest person to do so. The winning work, Partita, written for the vocal ensemble Roomful of Teeth, of which she is a member, displays a plethora of musical styles, ranging … »
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Met's Agrippina: Saved by the Voices, Especially Hers
With its scheming politicos, sexual shenanigans, and an air of jaded amorality, Handel’s Agrippina is the perfect opera to hold a mirror up to our own times. It’s not surprising then that Sir David McVicar chose a contemporary … »
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In Zurich: Cecilia Bartoli Is Gluck's Iphigénie
MILAN--Alexander Pereira's two-decade tenure as Intendant of Zurich Opera ended eight years ago, but his legacy appears to be alive and kicking. The Austrian manager gave Cecilia Bartoli a number of early breaks at the company (she celebrated 30 … »
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At Teatro Lirico: There's a Reason This 20th-Century Opera Is Obscure
MILAN--From Leoncavallo's I Medici to Giordano's La cena delle beffe , the grisly world of Renaissance Italy was repeatedly explored by verismo and late-verismo composers. Perhaps the brutality associated with the period sat well with a musical … »
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Conrad (Tao) and Caleb (Teicher), Scratching and Tapping in Boston
BOSTON--Choreographer/dancer Caleb Teicher and pianist/composer Conrad Tao opened a short run of their More Forever, on January 31 in the Plimpton Shattuck Black Box Theater at New England Conservatory. Part of Boston’s Celebrity Series, … »
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Aucoin's Eurydice Is Strong on Ideas, but Not Quite a Masterpiece
LOS ANGELES—The legend of Orpheus and Eurydice has been prime fodder for composers for centuries, from Monteverdi to Stravinsky and beyond. Yet for reasons that no one has been able to definitively explain, the fetish for all things … »
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City Ballet Opens 2020 with New Ratmansky and Old Friends
Alexei Ratmansky is known as a highly musical choreographer, celebrated for his reconstructions of 19th-century classics and explorations of Eastern European folk-inspired styles. So the announcement that his newest work for New York City Ballet … »
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A New Concerto, a Conductor's Welcome Return
Since she finished in Hamburg where she headed up the Staatsoper and Philharmonic from 2005 to 2015, Simone Young has become an increasingly sought-after guest on the international circuit. From 2022, the Australian-born conductor will take up … »
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Omer Meir Wellber Launches His Regime at Teatro Massimo
MILAN--Omer Meir Wellber's inaugural production as the new (as of January 1) music director of Palermo's Teatro Massimo could hardly have been more ambitious. Parsifal was completed in Palermo in 1882 but had not been performed at the Massimo for … »
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