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Inviting the Audience to Make Music

March 9, 2022 | Anthony Brown, Musical America
Today’s etiquette for a classical music concert is a remnant of the 19 th century and is best characterized as “silent attentiveness” to the musicians on stage. While there are exceptions, they are generally restricted to … » Read
 

Industry News

Miracle on 65th Street: The 'Reimagined' David Geffen Hall

March 9, 2022 | Susan Elliott, Musical America
After years of stops and starts, of assorted name changes and acoustic-adjustment band aids, the New York Philharmonic’s new hall will open next October, two years ahead of its planned completion (a bit of good pandemic-induced news), all … » Read
 

Industry News

ASCAP Reports Record High Revenues in 2021

March 8, 2022 | Anthony Brown, Musical America
In 2021, the American Society of Composers, Authors, and Publishers (ASCAP) enjoyed record-high revenue of $1.335bn from U.S.-licensed performances. Of that total, $1.254bn (94 percent) is available for distribution to the performing rights … » Read
 

Industry News

This Time, the 'Soft Power' of Cultural Exchange in Music, in Dance Is Moot

March 8, 2022 | Taylor Grant, Musical America
Since Russia’s invasion of Ukraine, the speed with which the country’s singers, dancers, and musicians have become pariahs among arts presenters in the West is unprecedented. Even at the height of the Cold War, cultural exchanges were … » Read
 

Industry News

Met Opera to Mount a Concert for Ukraine

March 8, 2022 | Sarah Shay, Musical America
On March 14 the Metropolitan Opera will present “A Concert for Ukraine,” the proceeds from which will support relief efforts in the embattled nation. Yannick Nézet-Séguin will combine with the Met Orchestra and Chorus … » Read
 

Industry News

Dallas Symphony Announces 2022-23 Season

March 7, 2022 | Sarah Shay, Musical America
The Dallas Symphony Orchestra’s 2022-2023 season marks the third for music director Fabio Luisi, who will be on the podium for nine concerts, including the Oct. 1 gala featuring mezzo-soprano Susan Graham and baritone Thomas Hampson in an … » Read
 

Industry News

In Wartime, What Is the Artist's Responsibility?

March 4, 2022 | Taylor Grant, Musical America
Individual classical artists as well as presenting organizations around the world are trying to figure out how best to respond to the Russian invasion of Ukraine. While the moral imperatives may seem clear, there exist no agreed-upon guidelines … » Read
 

Industry News

Russia Bombs Kharkiv Opera and Concert Hall

March 4, 2022 | Sarah Shay, Musical America
On March 1 two Russian cruise missiles struck Freedom Square in the heart of Kharkiv, Ukraine’s second largest city, damaging the opera house, concert hall, and government offices. “This is not a random mistaken salvo, but a conscious … » Read
 

Industry News

How One 11th-hour Phone Call Saved Three Mega Concerts

March 3, 2022 | Susan Elliott, Musical America
The brouhaha has settled down and the three concerts—or at least the two I attended—by the Vienna Philharmonic in Carnegie Hall February 25-27 went off as smoothly as anyone could have wanted. In the hours before the first downbeat, … » Read
 

Industry News

Russian Artists Denouncing Russia: Why It Matters

March 3, 2022 | Taylor Grant, Musical America
The near universal condemnation of Putin’s unprovoked invasion of Ukraine is forcing some of the world’s great musicians to choose sides when only one side seems morally defensible. Conductor Vasily Petrenko [pictured], artistic … » Read
 
 

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