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Mellon Foundation Gives $1M to Chicago Sinfonietta

July 29, 2022 | Nicholas Beard, Musical America
Chicago Sinfonietta has received what it calls a “special award” of $1 million from the Mellon Foundation, whose granting practices among arts organizations continue to reflect the Foundation-wide focus on social justice. Sinfonietta … » Read
 

Industry News

Ukrainian Freedom O Prepares to Launch

July 29, 2022 | Anthony Brown, Musical America
The Ukrainian Freedom Orchestra , brainchild of Canadian conductor Keri-Lynn Wilson, whose grandmothers are Ukrainian and Icelandic, wife of Met Opera General Manager Peter Gelb, made its debut in Warsaw’s National Concert Hall on July 28. … » Read
 

Industry News

Nashville Symphony Solves Its Bird Problem—for Now

July 28, 2022 | Sarah Shay, Musical America
In recent years, patrons of the Nashville Symphony had come to dread the arrival of summer, when tens of thousands of purple martins chose to treat the elm trees surrounding the Schermerhorn Symphony Center as their favorite Airbnb stopover … » Read
 

Industry News

Covid-19 Cases Cancel Cleveland

July 28, 2022
COVID-19 and its variants continue to spread their unwanted ills, and choristers singing without masks should take note: Because of a number of cases in its ranks, the Blossom Festival Chorus has cancelled its appearance with the Cleveland … » Read
 

Industry News

Salzburg's Ties to Russian Money and Conductor Under Fire

July 27, 2022 | Taylor Grant, Musical America
The Salzburg Festival is coming under heavy criticism for its links to performers and sponsors tied to Vladimir Putin and the Russian government. At the center of the controversy is the opening night performance by the St. Petersburg-based … » Read
 

Industry News

Movie Night in the Concert Hall—Everybody's Fave

July 26, 2022 | Taylor Grant, Musical America
Orchestras around the world have embraced the popularity of live-with-film concerts. They are reliable revenue generators, typically selling-out, and are proving to be vehicles with which to introduce new, younger audiences to orchestra … » Read
 

Industry News

Printed Program as Relic of the Past

July 25, 2022 | Taylor Grant, Musical America
While ecstatic at the prospect of a full-fledged return to live performances, The Washington Post’s music critic Michael Andor Brodeur laments the slow but seemingly steady demise of the printed program. Whereas “happy ushers” … » Read
 

Industry News

New LincInc Regime "Throws a Bone" to Mostly Mozart

July 22, 2022 | Taylor Grant, Musical America
The Mostly Mozart Festival, a summertime staple of Lincoln Center for over 50 years, is all but dead, argues Zachary Woolfe in The New York Times . “Instead,” he contends, “classical music, even in its ever-struggling nonprofit … » Read
 

Industry News

LA's "Rise Diversity" Aims to Widen the Pool of Studio Musicians

July 22, 2022 | Sarah Shay, Musical America
The Rise Diversity Project aims to remedy one of the biggest shortcomings in the pool of classically trained American musicians—the relative absence of individuals from Black, Latinx, and Asian communities. Conceived and organized by … » Read
 

Industry News

Strauss's Die Frau Would Please the Current Supreme Court

July 21, 2022 | Taylor Grant, Musical America
The Supreme Court’s recent decision to overturn Roe v Wade will lend the San Francisco Opera’s June 2023 presentation of R. Strauss’s Die Frau ohne Schatten ( The Woman Without a Shadow ) an unwelcome immediacy. At the … » Read
 
 

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