| Nov 2, 2017 |
| Rose Studio Concert, feat. music by Haydn and Shostakovich |
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At the core of chamber music lies the intimate connection between musician and listener, and the Rose Studio Concerts embody this spirit. Enjoy classics and novelties of the chamber repertoire presented in a traditional concert setting. |
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| Nov 2, 2017 |
| Late Night Rose, feat. music by Haydn and Shostakovich |
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At the core of chamber music lies the intimate connection between musician and listener, and Late Night Rose concerts embody this spirit. Enjoy classics and novelties of the chamber repertoire in a cabaret-style setting, a complimentary glass of wine, and engaging commentary. |
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| Nov 3, 2017 |
| Incomparable Haydn |
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Haydn’s string quartets laid the foundation for all of the chamber music we treasure. Celebrate the Orion Quartet’s 30th anniversary by experiencing its definitive interpretations of four of “Papa” Haydn’s Classical masterpieces. |
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| Nov 3, 2017 |
| Toronto Symphony Orchestra: What Makes It Great? Stravinsky The Firebird |
| Dates: |
Friday, November 3, 2017 |
| Auditorium: |
Roy Thomson Hall |
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60 Simcoe Street |
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Toronto, ON Canada |
| Phone: |
416 598 3375 |
| Fax: |
416 598 9522 |
| e-mail: |
contactus@tso.ca |
| Web: |
http://www.tso.ca |
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Russian composer Igor Stravinsky broke through to fame in 1910 when his glittering and dynamic ballet score The Firebird premièred in Paris. The plot was drawn from Russian fairy tales, and Stravinsky packed the music with orchestral colour and folk-flavoured melodies. In the first half, Rob Kapilow takes you inside this magic kingdom to show you its roots and explore Stravinsky’s methods in bringing it to life. After intermission, he conducts the TSO in a full performance of the suite.
All artists, programs, dates, prices, and chats are subject to change without notice. |
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| Nov 3, 2017 |
| National Chorale presents Carmina Burana and Chichester Psalms |
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National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, kicks off its 2017-2018 Season at Lincoln Center with Carl Orff's Carmina Burana and Leonard Bernstein's Chichester Psalms on Friday, November 3, 2017 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.
Carl Orff, Carmina Burana
Orff's provocative settings of Medieval traveling students and ex-monks who pursued a roaring life of gambling, drinking and making live. With "wine, women and song," Carmina is sexy, passionate and unforgettable.
Tickets are $30-100. |
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| Nov 4, 2017 |
| InterHarmony Concert Series: Romantic Mirrors |
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On Saturday, November 4th at 8PM master cellist and Founder of InterHarmony® International Music Festival Misha Quint will perform with brilliant colleagues and young artists in a gorgeous program of 18th and 19th century music to open the 5th Anniversary InterHarmony® Concert Series at Carnegie’s Weill Recital Hall.
The mirror of music is the best to show us who we are, and of that the Romantic to expose the depths of our psyche. Tickets are $40 and can be purchased by calling CarnegieCharge at 212-247-7800, at at www.carnegiehall.com, or at the box office on 57th and 7th Ave. |
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| Nov 4, 2017 |
| Miro Magloire's New Chamber Ballet |
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Miro Magloire presents his New Chamber Ballet in premieres to music by Reiko Fueting, made possible by a grant from the O'Donnell-Green Music and Dance Foundation, and to J.S. Bach's preludes and fugues in F sharp Minor and Prelude in D sharp Minor from The Well-Tempered Clavier. Other ballets are set to music by Pierre Boulez ("Notations"); John Cage ("Cheap Imitation"), and Lucian Berio ("Sequenza VIII for violin"). All music played live by pianist Taka Kigawa and violinist Doori Na. |
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| Nov 4, 2017 |
| Toronto Symphony Orchestra: Wall-to-Wall Percussion |
| Dates: |
Saturday, November 4, 2017 |
| Auditorium: |
Roy Thomson Hall |
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60 Simcoe Street |
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Toronto, ON Canada |
| Phone: |
416 598 3375 |
| Fax: |
416 598 9522 |
| e-mail: |
contactus@tso.ca |
| Web: |
http://www.tso.ca |
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The beat is contagious in this fun and interactive family concert that shines the spotlight on the percussion section. Join percussionist Vern Griffiths as he performs orchestral classics by Tchaikovsky and Bizet using everyday household items. You might even get a chance to join Vern and the TSO on stage!
All artists, programs, dates, prices, and chats are subject to change without notice. |
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| Nov 4, 2017 |
| CONCORA presents Brahms Requiem |
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CONCORA opens the 2017-2018 season with one of the most enduring works in the choral repertoire, Brahms’ A German Requiem. After its 1868 premiere, conductor Karl Reinthaler predicted that the Requiem “would live as one of the most exalted creations of musical art.” Brahms’ setting, unusual among Requiems for its use of biblical verses instead of the austere Latin liturgy, is beloved for its messages of comfort, hope, blessing, and rest. This performance (sung in German) offers the “London Version” of the Requiem, an arrangement for choir and four-hand piano that Brahms himself prepared for more intimate presentations of the work. The program also includes a lesser-known Brahms choral masterwork, Nänie, a poignant, achingly beautiful, but ultimately consoling elegy. |
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| Nov 4, 2017 |
| Juilliard String Quartet |
| Dates: |
November 4 |
| Sponsor: |
Peoples' Symphony Concerts |
| Auditorium: |
Washington Irving High School |
| Contact: |
Jonathan Moss |
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40 Irving Place |
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New York, NY United States |
| Phone: |
(212) 586-4680 |
| e-mail: |
info@pscny.org |
| Web: |
http://pscny.org |
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Program:
Beethoven: Quartet in A Major, Op. 18, No.5
James MacMillan: Quartet No. 2, "Why is This Night Different?" (1998)
Beethoven: Quartet in E-flat Major, Op. 127
Personnel:
Joseph Lin, violin
Ronald Copes, violin
Roger Tapping, viola
Astrid Schween, cello
Founded in 1946, the ever-evolving Juilliard String Quartet has become a living American legend. Widely known as the “quintessential American string quartet,” the Juilliard has been recognized for the boldness of its interpretation of the classics, with an equal and parallel tradition of championing the new — a vibrant combination of the familiar and the daring. The Quartet’s sound is famously characterized by clarity of structure, compelling rhythmic drive and an extraordinary unanimity of purpose, no matter the work at hand. |
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