MA 30 The Influencers: David Srebnik December 1, 2015
But his programming also is known for its delightful unpredictability. On one show, Srebnik played Debussy’s La Mer, following it not with another water piece, like Ravel’s Jeux d’eau, but with Enescu’s Konzertstück for Viola and Piano. Responsive to his audience, Srebnik programs the requisite warhorses, like Mendelssohn’s Violin Concerto or the Pachelbel Canon (there are always listeners who are hearing it for the first time, he reckons). But he also makes room for relatively obscure composers’ works, like those of Frenchwoman Cécile Chaminade (1857-1944) and Italian composer Agostino Steffani (1654-1728). Contemporary composers and artists also get a hearing, with pieces by Jennifer Higdon, Kenneth Fuchs, and Bryce Dessner and performances by the string trio Time for Three or even Mumford & Sons. On his in-depth interview program, Virtuoso Voices, Srebnik talks with major performers like Yo-Yo Ma, Hilary Hahn, and Gustavo Dudamel. He believes strongly that radio remains an effective storytelling medium. His advice for anyone in the business of trying to engage a new generation of listeners is, "We can't force classical music on new audiences or young audiences. Sometimes, they have to discover it by accident." And, he adds, "we need to better plan those accidents."
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