MA 30 The Influencers: James Nyoraku Schlefer By Richard S. Ginnell December 1, 2015
While Japanese and western music traditions share such characteristics as adherence to structure and long histories marked by distinct periods, there are significant differences. Western music uses harmony and incorporates the concepts of repetition, contrast, and variation to define the common forms. Japanese music follows “jo ha ky”—meaning, roughly, a quiet beginning, a complex middle section, and a fast conclusion, followed by brief stasis. Scale patterns are also different, as are tone color, dynamics, and pitch. Working internationally with both established and emerging composers, virtuosos from the Japanese tradition, and top western ensembles, Kyo-Shin-An Arts commissions chamber and orchestral music that includes Japanese instruments. The organization creates artistic partnerships, provides program administration, and assists with guest artists’ fees, travel, and other expenses related to performances of the new repertoire. Since 2009, Kyo-Shin-An has commissioned and premiered works by 22 composers including Victoria Bond, Carlos Sanchez-Gutierrez, Daron Hagen, Matthew Harris, Mari Kimura, James Matheson, Paul Moravec, and Somei Satoh. Performing ensembles include the Arianna, Cassatt, Ciompi, and Voxare String Quartets, Orchestra of the Swan, River Oaks Chamber Orchestra, and many others. Schlefer’s efforts have opened the ears and minds of musicians and audiences to previously un-imagined east-west syntheses. Copyright © 2025, Musical America |