The Crossing Performs of arms and the man at the Park Avenue Armory, 9/19 & 9/20

FOR IMMEDIATE RELEASE
Contact: Katy Salomon | Morahan Arts and Media
katy@morahanartsandmedia.com | 863.660.2214

The Crossing Performs of arms and the man at the Park Avenue Armory 

 
“Audiences float out of [Nally’s] concerts on a choral cloud.” –The Philadelphia Inquirer

 Featuring a New Work by 2018 Pulitzer Prize finalist Ted Hearne September 19 & 20

NEW YORK, NY (August 14, 2018) — Winner of the 2018 Grammy Award for Best Choral Performance, The Crossing, led by conductor Donald Nally, performs of arms and the man on Wednesday, September 19, 2018 at 7:30 p.m. and Thursday, September 20, 2018 at 7:30 p.m. at New York’s Park Avenue Armory. The evenings will feature the 24-voice ensemble of The Crossing with three cellists (Thomas Mesa, Arlen Hlusko, and Sujin Lee) and will explore the timeless themes of nationalism and war while navigating personal stories of joy and despair.

of arms and the man is designed to utilize the Armory’s historic reception rooms with cello solos punctuating the transitions between the spaces. The program features a New York premiere by 2018 Pulitzer Prize finalist Ted Hearne, the nation’s preeminent composer of works of social advocacy, co-commissioned by Park Avenue Armory and The Crossing. Donald Nally describes, “The concert takes a look at life and war and life during war from a number of angles: national pride, grief, and anger. Ted’s new piece is going to fit into this overall theme of how we agree or disagree across nations and continents and what we’re actually doing when we act on those alliances or arguments. In of arms and the man, The Crossing continues to ask complex questions for which there may be no easy answers.”

Two works of Gabriel Jackson will anchor the program. First is Our flags are wafting in hope and grief, which looks at national identity in the struggle for freedom through a poem of Latvian poet Doris Koreva, with the timely words “A moment has come—a moment so brief, perhaps a point of no return. A voicing of freedom at whatever cost, cannot now be recanted.” Jackson’s Rigwreck, is a virtuosic exploration of the role of money and power in the Deepwater Horizon disaster, written for The Crossing’s 2013 project, The Gulf (between you and me), and is based on a text by Pierre Joris.

The program also includes Toivo Tulev’s setting of Walt Whitman’s “A child said, what is the grass”; a rare performance of David Lang’s depart for three cellos and women, and the New York premiere of his “last spring”; Louis Andriessen’s Ahania Weeping; the New York premiere of Benjamin C.S. Boyle’s Empire of Crystal; “Sanctus” from Sebastian Currier’s Night Mass; Suzanne Giraud’s Johannisbaum; the New York premiere of David Shapiro’s Sumptuous Planet; and “Conversation on the Mountain” from Kile Smith’s Where flames a word.

Of the program, Donald Nally says, “Park Avenue Armory asked me to develop a program for their ornate historic reception rooms. Being the Armory, I got thinking about how the military has changed since those rooms were built; how it was a point of honor for the aristocracy that today mostly avoids it at all cost. The concert takes a look at life and war and life during war from a number of angles. Some of it is national pride, some of it is grief, some of it is anger. Ted’s new piece is going to fit into this overall theme of how we agree or disagree across nations and continents and what we’re actually doing when we act on those alliances or arguments.”

Program Information 

of arms and the man
Wednesday, September 19, 2018 at 7:30 p.m. - SOLD OUT
Thursday, September 20, 2018 at 7:30 p.m. - SOLD OUT
Park Avenue Armory, Board of Officers Room | 643 Park Avenue | New York, NY
Tickets: Visit www.armoryonpark.org or call 212.933-5812 

Performers:
The Crossing
Thomas Mesa, Arlen Hlusko, and Sujin Lee, cellos  

Program:
Ted Hearne - world premiere
David Lang -depart
Gabriel Jackson -Our flags are wafting*
Kile Smith - “Conversation on the Mountain” fromWhere flames a word*
Louis Andriessen -Ahania Weeping*
Suzanne Giraud -Johannisbaum
David Shapiro -Sumptuous Planet (New York premiere)
Sebastian Currier - “Sanctus” fromNight Mass
Gabriel Jackson -Rigwreck*
Benjamin CS Boyle - Empire of Crystal* (New York premiere)
David Lang - last spring (New York premiere)
Toivo Tulev - A child said, what is the grass?* 

*commissioned by The Crossing

About The Crossing
The Crossing is a professional chamber choir conducted by Donald Nally and dedicated to new music. It is committed to working with creative teams to make and record new, substantial works for choir – most often addressing social issues – with the possibility of changing the way we think about writing for choir, singing in choir, and listening to music for choir. 

Highly sought-after for collaborative projects, The Crossing’s first collaboration was as the resident choir of the Spoleto Festival, Italy, in 2007. The Crossing has appeared at Miller Theatre of Columbia University with the International Contemporary Ensemble; joined Bang on a Can’s first Philadelphia Marathon; and has sung with the American Composers Orchestra, Network for New Music, Lyric Fest, Piffaro, Tempesta di Mare Baroque Chamber Orchestra, PRISM Saxophone Quartet, Toshimaru Nakamura, Beth Morrison Projects, Dolce Suono, Allora & Calzadilla, Pig Iron Theatre Company and The Rolling Stones. In 2014 they premiered John Luther Adams’ Sila: the breath of the world at Lincoln Center. The Crossing holds an annual residency at the Warren Miller Performing Arts Center in Big Sky, Montana. 

The Crossing has presented over 60 commissioned world premieres. Major new works have include Michael Gordon’s Anonymous Man (2017), Michael Gilbertson’sBorn (2017) Lansing McLoskey’s Zealot Canticles (2017), John Luther Adams’ Canticles of the Holy Wind (2013, co-commissioned with Kamer), Gavin Bryars’ The Fifth Century (2014, written for The Crossing and PRISM), Kile Smith’s The Arc in the Sky (2018), The Consolation of Apollo (2014) and Vespers (2008, a commission of Piffaro), Stratis Minakakis’ Crossings and Crossings’ Epitaphs (2015/2017), David Lang’s statement to the court (2010), Lewis Spratlan’s Hesperus is Phosphorus(2012, co-commissioned with Network for New Music), and Ted Hearne’s Sound From the Bench (2014, co-commissioned with Volti). In 2016, The Crossing presentedSeven Responses with new works from Carline Shaw, David T. Little, Anna Thorvaldsdottir, Hans Thomalla, Pelle Gudmundsen-Holmgreen, Lewis Spratlan, and Santa Ratniece. In 2016, The Crossing commissioned and presented Jeff Quartets, a rare compilation of quartets from fifteen of the world’s leading composers, presented as a concert-length set of music and collected in an omnibus edition. In June 2019, The Crossing will present its largest project to date - Aniara: fragments of time and space, a collaboration with Kockriketeatern in Helsinki, and composer Robert Maggio. Future projects include composers Julia Wolfe, Toivo Tulev, Daniel Felsenfeld, Gregory Spears, James Primosch, David T. Little, Sebastian Currier, and Aaron Helgeson.

With a commitment to recording their commissions, The Crossing has fourteen commercially-released recordings.Their collaboration with PRISM, Gavin Bryars’ The Fifth Century (ECM, October 2016), is the winner of the 2018 Grammy Award for Best Choral Performance, and named one of The Chicago Tribune’s Top 10 Classical CDs of the 2016. Their recording of Thomas Lloyd’s Bonhoeffer (Albany 2016) was nominated for the 2017 GRAMMY as Best Choral Performance. Additional recordings have been released on Innova, Cantaloupe, and Navona Records.

Winners of the 2018 Grammy Award for Best Choral Performance, The Crossing is the American Composers Forums’ 2017 Champion of New Music. The Crossing’s 2014 commission Sound From The Bench by Ted Hearne was named a 2018 Finalist for the Pulizer Prize in Music. They are the recipient of the 2015 Margaret Hillis Award for Choral Excellence, three ASCAP Awards for Adventurous Programming, as well as the Dale Warland Singers Commission Award (with composer Joel Puckett) from Chorus America. Donald Nally was awarded the 2017 Michael Korn Award and the 2012 Louis Botto Award for Innovative Action and Entrepreneurial Zeal for his work with The Crossing.

About Donald Nally
Donald Nally is responsible for imagining, programming, commissioning, and conducting at The Crossing. He is also the director of choral organizations at Northwestern University where he holds the John W. Beattie Chair of Music. Donald has served as chorus master at the Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, and for many seasons at the Spoleto Festival in Italy. He has also served as music director of Cincinnati's Vocal Arts Ensemble, chorus master at The Chicago Bach Project, and guest conductor throughout Europe and the United States, most notably with the Grant Park Symphony Chorus, the Philharmonia Chorus (London), the Santa Fe Desert Chorale, and the Latvian State Choir (Riga).

Donald, with The Crossing, was the American Composers Forum 2017 Champion of New Music; he received the 2017 Michael Korn Founders Award from Chorus America. He is the only conductor to have two ensembles receive the Margaret Hillis Award for Excellence in Choral Music: in 2002 with the Choral Arts Society of Philadelphia and in 2015 with The Crossing. Collaborations have included the Los Angeles Philharmonic, the Philadelphia Museum of Art, the Metropolitan Museum of Art, the Kennedy Center for the Performing Arts, Lincoln Center, Mostly Mozart, the Cleveland Museum of Art, Carnegie Hall, National Sawdust, the Barnes Foundation, Boston’s Isabella Stewart Gardner Museum, the International Contemporary Ensemble (ICE), the American Composers Orchestra, and The Big Sky Conservatory in Montana where The Crossing holds an annual residency. In the 2017-18 season, he collaborates as guest director with Lisson Gallery (London), The Cathedral Choral Society (Washington, D.C.), Haymarket Opera (Chicago), David Lang’s The Mile Long Opera (on the High Line in New York City), and is visiting resident artist at the Park Avenue Armory.  

*Image at top of release by Becky Oehlers

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