On September 30, AVIE Records will release the solo album debut by American pianist John Wilson. Upon Further Reflection features the world-premiere recording of the title work written by Wilson’s friend and mentor, Michael Tilson Thomas, complemented by Aaron Copland’s Piano Sonata and Earl Wild’s virtuoso arrangements of iconic George Gershwin tunes. John Wilson first encountered Michael Tilson Thomas in 2015 when he was a fellow with the New World Symphony. John’s protégé status quickly evolved to that of close confidant and collaborator, leading to this solo debut album featuring the world-premiere recording of the title track, MTT’s three-movement suite for piano, Upon Further Reflection. “I use improvisation as a way of finding myself,” MTT explains. “This piece came out of those improvisations.” MTT began work on Upon Further Reflection more than 50 years before this recording was made, incorporating innumerable influences that formed the composer’s earliest musical language, including the piano music of Debussy and Schumann, bossa nova, gamelan, ragas, Monteverdi, Berg and Peggy Lee’s rendition of the song Alley Cat, all of which, MTT says, “flowed together in a way that seemed completely natural...to me anyway.” In 2019, John Wilson premiered a portion of Upon Further Reflection that was broadcast live on Medici.TV to an audience of over 50,000. “You play it in a way that I dreamt I might ever be able to play it. It is just so wonderful,” remarked MTT to John Wilson in a recent PBS American Masters documentary. “I’m grateful for John Wilson’s enthusiasm that has caused all of it to be finally written down,” remarks MTT in the album liner notes, “and for his enormous artistry in playing it.” Aaron Copland’s early Piano Sonata – a work lesser-heard than the composer’s other works for solo piano – and Earl Wild’s virtuoso arrangements of seven of George Gershwin’s most iconic tunes complete John Wilson’s debut album. Copland’s Piano Sonata, John writes in the album’s liner notes, “is for me his greatest work for piano and one of Copland’s greatest pieces. It captures the dissonance of both the time in which it was written and our current time, and yet hidden beneath it is a current of hopefulness and unity. And what would an Americana-themed album be without some Gershwin?” TRACKLIST MICHAEL TILSON THOMAS (b. 1944) Upon Further Reflection (world-premiere recording) Bygone Beguine (1973) Sunset Soliloquy (Whitsett Avenue, 1963) You Come Here Often? (Hello Stranger, 1977)
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