REVIEWS


Reviews

JACK's Latest, Beautiful Trouble, Is Beautiful Trouble

March 22, 2024 | Steve Smith, Musical America
Anyone expecting characteristic JACK quartet fare at the group’s concert on March 15—say, something like Helmut Lachenmann or John Luther Adams—was in for a big surprise. After the house lights went down at the Brooklyn … » Read
 

Reviews

Two Wunderkinds Play Boston

March 20, 2024 | Lloyd Schwartz, Musical America
BOSTON—The Celebrity Series of Boston was offering something of a rarity: an orchestral concert with a real point of view (March 17). The Orchestre de Paris, under Music Director Klaus Mäkelä, was presenting a program at Symphony … » Read
 

Reviews

Allan Clayton in Winterreise: Brave, Bold, and Brilliant

March 20, 2024 | Clive Paget, Musical America
LONDON—When it premiered in 1994, Hans Zender’s kaleidoscopic take on Schubert’s Winterreise gave the critics major conniptions. Up to then, composers had arranged the odd song, but no one had dared to go the whole hog. Worse, … » Read
 

Reviews

The Takács Quartet's Fresh Approach to Masters Old & New

March 18, 2024 | Fred Cohn, Musical America
On paper, the program for the Takács Quartet’s recent 92nd Street Y appearance was unremarkable: standard works by Haydn and Beethoven sandwiching a piece of new music. But the March 13 concert carried no trace of routine, … » Read
 

Reviews

Another View of Ratmansky's Solitude

March 18, 2024 | Rachel Straus, Musical America
Alexei Ratmansky’s first new work as artist-in-residence of the New York City Ballet stands apart from his internationally acclaimed body of work. Neither a reconstruction of a full-length ballet nor an innovative treatment of codified … » Read
 

Reviews

Celebrating an Esteemed Composer Who Won't Grow Up

March 14, 2024 | Hannah Edgar, Musical America
CHICAGO—When Bernard Rands crossed the threshold from adolescence to adulthood, his parents had had enough. It was time, they said, to give up this music business—it was fine as a hobby, but not as a profession. Rands’s … » Read
 

Reviews

Giant, a Grueling Tale as Opera

March 12, 2024 | Clive Paget, Musical America
LONDON—The tale of Charles Byrne, known to history as the Irish Giant, is a tragedy of operatic proportions. That’s one reason Sarah Angliss’s dramatization of his final year on earth makes such a powerful piece of music … » Read
 

Reviews

At Skirball: Revisiting Anthony Davis; Introducing Leila Adu-Gilmore

March 11, 2024 | Steve Smith, Musical America
George Lewis is a man with a mission, opening the concert-music field to composers previously marginalized or overlooked, and International Contemporary Ensemble audiences are reaping the benefits of his zeal. Since he became artistic director in … » Read
 

Reviews

Circus Whimsy Lifts (Literally) Death in Venice to Magnificent Effect

March 11, 2024 | Keith Clarke, Musical America
CARDIFF–Welsh National Opera is currently on a hunt for a new general director, Aidan Lang having thrown in the towel after just four years in the job amid drastic cuts to the company’s touring program by Arts Council England. Holding … » Read
 

Reviews

Sibelius and Solidarity on the Davies Hall Stage

March 19, 2024 | Steven Winn, Musical America
SAN FRANCISCO—Hours after the stunning news broke that Esa-Pekka Salonen would be stepping down as music director of the San Francisco Symphony, effective at the end of his five-year contract in June of 2025, he took the podium at Davies … » Read
 
 

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