REVIEWS


Reviews

Lyon's World-class Don Carlos: The King Is Eclipsed by the Next Gen

March 21, 2018 | Mark Valencia, Musical America
LYON, France--Verdi’s grandest opera can seldom have been staged more completely than in this new Lyon Opera production, seen at its opening performance on March 17. Musically it was a world-class evening, and further evidence that the … » Read
 

Reviews

A Preview of Munich's Rosenkavalier--in Munich

March 20, 2018 | George Loomis, Musical America
MUNICH— Nearly every New York opera goer knows by now that the Bavarian State Opera will present a concert performances of Strauss’s Der Rosenkavalier at Carnegie Hall at the end of the month (March 29). Aside from promising to be a … » Read
 

Reviews

A Turkey of a Traviata Lands on the ENO Stage

March 20, 2018 | Keith Clarke, Musical America
LONDON—The revolving door was almost off its hinges when Daniel Kramer arrived at English National Opera as artistic director, with a truly operatic period of sackings, resignations, and walk-outs. In came Kramer like the U.S. Cavalry with … » Read
 

Reviews

Met's New Così: A Triumph of Flash Over Substance

March 19, 2018 | Christopher Corwin, Musical America
According to a recent Opera News interview, director Phelim McDermott’s primary goal for his Così fan tutte production was to “make it as funny as possible.” Unfortunately Thursday’s Metropolitan Opera premiere set … » Read
 

Reviews

A Strange but Successful Mix: Hot Venezuelan, Cool Austrians

March 19, 2018 | Sedgwick Clark, Musical America
Gustavo Dudamel’s love affair with the Vienna Philharmonic continues unabated: Following a European tour last month they bounded into Carnegie Hall for a trio of concerts, headed for South America, and swung around for three in Mexico City. … » Read
 

Reviews

Munich's New Les Vêpres Siciliennes Delivers Fatal One-Two Punch

March 14, 2018 | George Loomis, Musical America
MUNICH—All was going smoothly at the premiere on March 11 of the Bavarian State Opera’s new production of Les Vêpres Siciliennes . Then came Act 5. Two serious liabilities, one self-inflicted, the other a product of vocal … » Read
 
 

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