{"id":4834,"date":"2012-05-16T02:02:22","date_gmt":"2012-05-16T06:02:22","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=4834"},"modified":"2012-06-11T13:51:19","modified_gmt":"2012-06-11T17:51:19","slug":"how-do-i-draft-an-engagement-agreement-for-my-trio","status":"publish","type":"post","link":"https:\/\/www.musicalamerica.com\/mablogs\/?p=4834","title":{"rendered":"How Do I Draft An Engagement Agreement For My Trio?"},"content":{"rendered":"<p><strong>By Brian Taylor Goldstein<\/strong><\/p>\n<p><em>Dear FTM Arts Law,<\/em><\/p>\n<p><em>I am a manager who will be writing contracts on behalf of a trio. They don\u2019t have a corporation and there is no \u201cleader.\u201d They just get together and perform together. How do I handle their engagement fees so that I do not look like their employer? None of the three wants to collect the money on behalf of the others. So, that leaves me to disperse the money.\u00a0 I know I must be careful not to appear as a producer or employer, so I want to be sure that I write my contracts properly, as well, handle the payment of fees.\u00a0 So, when writing the actual contract, do I make it out between all three musicians and the presenter?\u00a0 What if one of them is paid to his\/her corporation? Does this make sense?<\/em><\/p>\n<p>This makes absolute sense&#8230;and the answer is pretty easy! You want each engagement contract to be between the presenter and each of the individual members of the trio. Something like this: \u201cPresenter hereby engages Musician 1, Musician 2, and Musician 3 to perform at ___________.\u201d The same engagement contract would also specify that the engagement fee would be paid directly to you \u201cas the agent of Musician 1, Musician 2, and Musician 3.\u201d You can even sign the engagement contract, provided it is clear that you are signing \u201cas the agent of Musician 1, Musician 2, and Musician 3.\u201d (I know, you said you were their \u201cmanager\u201d, but \u201cmanager\u201d is a title that describes your duties. For purposes of determining liability, fiduciary duties, and other legal obligations, managers and agents are both legally considered to be \u201cagents\u201d).<\/p>\n<p>Once you collect the fee, you can pay each of the artists directly. For you purposes, it doesn\u2019t matter whether you pay an artist individually or pay the artist\u2019s corporation. Nonetheless, you must issue a 1099 for the FULL FEE. In other words, if the total engagement fee is $3000, and you take a 20% commission, and everything is split evenly, then you would pay each artist $1000 and deduct a commission of $200 from each payment\u2014but you would also issue a 1099 to each artist for $1000. Why? Because you are working for the artists, they are not working for you. If you don\u2019t want to be perceived, either for liability or tax purposes as their employer or producer, then you need to set up the transaction so it is clear that it is the artists are paying you and you are not paying them. Technically, each artist should issue you a 1099 to reflect that they paid you a commission of $200. However, in my experience, as artists are even more adverse to paperwork and forms than managers and agents, it is highly unlikely that the artists will actually issue you the 1099. It doesn\u2019t matter. You would hardly be the first person who received a payment without an accompanying 1099.\u00a0 So long as you have issued a 1099 to each artist for $1000 and report your commissions on your income taxes, you are fine. It may drive your accountant a bit nuts, but they\u2019ll deal with it!<\/p>\n<p>_______________________________________________________________<\/p>\n<p>For additional information and resources on this and other <a href=\"www.ftmartslaw-pc.com\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-4709\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/05\/ftm-arts.gif\" alt=\"\" width=\"168\" height=\"72\" \/><\/a>legal and business issues for the performing arts, visit <a href=\"http:\/\/www.ftmartslaw-pc.com\/\">ftmartslaw-pc.com<\/a>.<\/p>\n<p>To ask your own question, write to <a href=\"mailto:lawanddisorder@musicalamerica.com\">lawanddisorder@musicalamerica.org<\/a>.<\/p>\n<p>All questions on any topic related to legal and business issues will be welcome.\u00a0However, please post only general questions or hypotheticals. FTM Arts Law reserves the right to alter, edit or, amend questions to focus on specific issues or to avoid names, circumstances, or any information that could be used to identify or embarrass a specific individual or organization. All questions will be posted anonymously.<\/p>\n<p>__________________________________________________________________<\/p>\n<p style=\"text-align: center;\"><strong>THE OFFICIAL DISCLAIMER:<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>THIS IS NOT LEGAL ADVICE!<\/strong><\/p>\n<p>The purpose of this blog is to provide general advice and guidance, not legal advice. Please consult with an attorney familiar with your specific circumstances, facts, challenges, medications, psychiatric disorders, past-lives, karmic debt, and anything else that may impact your situation before drawing any conclusions, deciding upon a course of action, sending a nasty email, filing a lawsuit, or doing anything rash!<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=4834\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By Brian Taylor Goldstein Dear FTM Arts Law, I am a manager who will be writing contracts on behalf of a trio. They don\u2019t have a corporation and there is no \u201cleader.\u201d They just get together and perform together. How do I handle their engagement fees so that I do not look like their employer? [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[883,882,875,889,887,872,874],"tags":[1063,1059,898,4312,1061,1062,1055,1057,1058,901,899,1060,1056],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/4834"}],"collection":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4834"}],"version-history":[{"count":5,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/4834\/revisions"}],"predecessor-version":[{"id":5325,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/4834\/revisions\/5325"}],"wp:attachment":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}