{"id":43120,"date":"2017-12-28T12:41:02","date_gmt":"2017-12-28T16:41:02","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=43120"},"modified":"2018-02-17T16:27:36","modified_gmt":"2018-02-17T20:27:36","slug":"queue-it-confronts-opera-goers","status":"publish","type":"post","link":"https:\/\/www.musicalamerica.com\/mablogs\/?p=43120","title":{"rendered":"Staatsoper Imposes Queue-it"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2017\/12\/queueBStO.jpg\" alt=\"Queue-it\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: December 28, 2017<\/span><\/p>\n<p>MUNICH \u2014 Post is under revision.<\/p>\n<p>Illustration \u00a9 Queue-it and Bayerische Staatsoper<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=37599\">Staatsoper Favors Local Fans<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=26998\">See-Through Lulu<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=28878\">Ettinger Drives Aida<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=36912\">U.S. Orchestras on Travel Ban<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=19308\">Time for Schwetzingen<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=43120\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: December 28, 2017 MUNICH \u2014 Post is under revision. Illustration \u00a9 Queue-it and Bayerische Staatsoper Related posts: Staatsoper Favors Local Fans See-Through Lulu Ettinger Drives Aida U.S. Orchestras on Travel Ban Time for Schwetzingen<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[1185,2381,4012,3775,2380,1194,2684,2466,2341,4473],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/43120"}],"collection":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=43120"}],"version-history":[{"count":19,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/43120\/revisions"}],"predecessor-version":[{"id":44363,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/43120\/revisions\/44363"}],"wp:attachment":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=43120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=43120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=43120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}