{"id":41541,"date":"2017-09-19T05:06:12","date_gmt":"2017-09-19T09:06:12","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=41541"},"modified":"2018-02-08T08:08:20","modified_gmt":"2018-02-08T12:08:20","slug":"levit-plays-elmau","status":"publish","type":"post","link":"https:\/\/www.musicalamerica.com\/mablogs\/?p=41541","title":{"rendered":"Levit Plays Elmau"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2017\/09\/elmauWettersteingebirge.jpg\" alt=\"Schloss Elmau and the Wetterstein Mountains in Bavaria\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: September 19, 2017<\/span><\/p>\n<p>ELMAU \u2014 His website left the program as vague as \u201cBeethoven and Shostakovich\u201d right up until the recital, but <a href=\"https:\/\/sonyclassical.com\/artists\/igor-levit\">Igor Levit<\/a> knew exactly what he wanted to do Aug. 14 in the timber-framed auditorium of this isolated castle-spa below the <a href=\"https:\/\/de.wikipedia.org\/wiki\/Wettersteinwand\">Wettersteinwand<\/a>. An aural onslaught was in the offing. The pianist would deny the <em>Waldstein<\/em> Sonata (1803) all stylistic context and push every limit in nine prelude-fugue pairs from the Russian composer\u2019s Opus 87 (1951), written for Nikolayeva.<\/p>\n<p>Beethoven\u2019s <em>Allegro con brio<\/em> emerged frenzied, indeed cacophonous. His slow movement sprawled unworkably. The Rondo\u2019s opening melody had poise, but much passagework was rushed or inarticulate \u2014 this from an artist promoted by Sony Classical for his grasp of Beethoven\u2019s universe. Then came the preludes and fugues (Nos. 1, 4, 9, 10, 11, 14, 15, 18 and 24), and somehow they stood up, proving craggy and caustic, mordant and merry. Their varying structures and challenges palpably engaged Levit, even if he did use the scores. He telegraphed affection in No. 1 (C Major), brought clarity and imagination to No. 10 (C-sharp Minor), mustered a macabre, sustained tension for No. 14 (E-flat Minor). He savored contrasts throughout yet reveled in density, for instance in the heavy-handed double fugue of No. 4 (E Minor) or in the mad emphases of No. 15 (D-flat Major). Neatly delineated counterpoint was in short supply, however, as was poetry.<\/p>\n<p>Recitals and readings have been a central pursuit at <a href=\"http:\/\/www.schloss-elmau.de\/en\/history\/\">Schloss Elmau<\/a> since theologian <a href=\"https:\/\/de.wikipedia.org\/wiki\/Johannes_M%C3%BCller_(Theologe,_1864)\">Johannes M\u00fcller<\/a> established the German retreat a century ago. Performances typically end the day for overnighters drawn by the mountains, forests, sports, treatments and \u201cfive-asterisk\u201d dining. Tickets are made available as well to residents of villages within a certain distance. The memorable open-arms <a href=\"http:\/\/www.stern.de\/panorama\/wie-das-foto-von-angela-merkel-und-barack-obama-auf-dem-g7-gipfel-in-elmau-entstand-6290576.html\">image<\/a> of <em>Bundeskanzlerin<\/em> Merkel and President Obama derives from a G7 Summit here.<\/p>\n<p>Photo \u00a9 Schloss-Elmau GmbH<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=15073\">Volodos the German Romantic<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=22811\">Zimerman Plays Munich<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=17195\">Busy Week<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=23193\">Carydis Woos Bamberg<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=19308\">Time for Schwetzingen<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=41541\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: September 19, 2017 ELMAU \u2014 His website left the program as vague as \u201cBeethoven and Shostakovich\u201d right up until the recital, but Igor Levit knew exactly what he wanted to do Aug. 14 in the timber-framed auditorium of this isolated castle-spa below the Wettersteinwand. An aural onslaught was in the offing. [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[217,4144,4146,4141,4148,3539,2339,4145,1230,2845,4147],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/41541"}],"collection":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41541"}],"version-history":[{"count":15,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/41541\/revisions"}],"predecessor-version":[{"id":44011,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/41541\/revisions\/44011"}],"wp:attachment":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}