{"id":33222,"date":"2016-07-17T11:57:39","date_gmt":"2016-07-17T15:57:39","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=33222"},"modified":"2018-02-01T13:22:54","modified_gmt":"2018-02-01T17:22:54","slug":"bayreuth-parsifal-due-online","status":"publish","type":"post","link":"https:\/\/www.musicalamerica.com\/mablogs\/?p=33222","title":{"rendered":"Bayreuth Parsifal Due Online"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2016\/07\/dpaBayreutherFestspielhaus.jpg\" alt=\"Festspielhaus in Bayreuth\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: July 17, 2016<\/span><\/p>\n<p>MUNICH \u2014 <a href=\"http:\/\/www.br.de\/\">Bayerischer Rundfunk<\/a> confirmed on Thursday it will video-stream the premiere of <a href=\"http:\/\/www.uwe-eric-laufenberg.com\/\">Uwe Eric Laufenberg<\/a>\u2019s new staging of <em>Parsifal<\/em> at the <a href=\"http:\/\/www.bayreuther-festspiele.de\">Bayreuth Festival<\/a>.<\/p>\n<p>\u2014 when: 9:57 a.m. EDT on July 25, 2016<br \/>\n\u2014 where: www.br-klassik.de\/concert<\/p>\n<p>Laufenberg is reportedly intent on exploring the religious aspect of Wagner\u2019s 1881 <em>B\u00fchnen-Weih-Festspiel<\/em>, not without reference to Islam.<\/p>\n<p>Watching at home may have advantages. Attendees on Bayreuth\u2019s <em>Gr\u00fcner H\u00fcgel<\/em> face new security procedures for this festival opener, and indeed all 2016 dates, obliging earlier arrival than in past years. The German chancellor won\u2019t be among them.<\/p>\n<p>Saxon conductor <a href=\"http:\/\/www.haenchen.net\/en\/biography\/official-biography-in-english\/\">Hartmut Haenchen<\/a>, taking over from a less practiced colleague, makes his Bayreuth debut with this opera, which he led in a <a href=\"http:\/\/www.belairclassiques.com\/blog\/opera\/parsifal\/\">filmed<\/a> Brussels run five years ago <a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=15522\">directed<\/a> by Romeo Castellucci.<\/p>\n<p><a href=\"http:\/\/www.ac-artists.com\/artisti\/Pankratova\/Pankratova.pdf\">Elena Pankratova<\/a> sings Kundry, <a href=\"http:\/\/www.klaus-florian-vogt.de\/\">Klaus Florian Vogt<\/a> the naive hero; <a href=\"http:\/\/www.ryanmckinny.com\/\">Ryan McKinny<\/a>, <a href=\"http:\/\/onstageartists.com\/1156\/\">Georg Zeppenfeld<\/a> and <a href=\"http:\/\/www.gerdgrochowski.com\/\">Gerd Grochowski<\/a> impersonate Amfortas, Gurnemanz and Klingsor.<\/p>\n<p>Coming from a dedicated broadcaster, the Internet data for listening and viewing should be both stable and detailed.<\/p>\n<p>Photo \u00a9 Deutsche Presse-Agentur<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=13890\">Portraits For a Theater<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=14601\">A Complete Frau, at Last<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=20639\">Festive Sides<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=26619\">Berlin\u2019s Dark Horse<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=15146\">Ku\u0161ej Saps Verdi\u2019s Forza<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=33222\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: July 17, 2016 MUNICH \u2014 Bayerischer Rundfunk confirmed on Thursday it will video-stream the premiere of Uwe Eric Laufenberg\u2019s new staging of Parsifal at the Bayreuth Festival. \u2014 when: 9:57 a.m. EDT on July 25, 2016 \u2014 where: www.br-klassik.de\/concert Laufenberg is reportedly intent on exploring the religious aspect of Wagner\u2019s 1881 [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[2964,3894,3893,1864,2934,2779,3373,3891,3892,2696,2341,3890,1872],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/33222"}],"collection":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33222"}],"version-history":[{"count":8,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/33222\/revisions"}],"predecessor-version":[{"id":43468,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/33222\/revisions\/43468"}],"wp:attachment":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}