{"id":12501,"date":"2013-07-18T13:48:44","date_gmt":"2013-07-18T17:48:44","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=12501"},"modified":"2013-08-04T19:51:54","modified_gmt":"2013-08-04T23:51:54","slug":"historical-pianists-from-sony-kronos-at-40","status":"publish","type":"post","link":"https:\/\/www.musicalamerica.com\/mablogs\/?p=12501","title":{"rendered":"Historical Pianists from Sony; Kronos at 40"},"content":{"rendered":"<p><strong>by Sedgwick Clark<\/strong><\/p>\n<p>With copyrights soon to expire, several major labels are releasing huge box sets of their holdings for their Last Hurrah at ridiculously low prices. One of the first was Sony Classical\u2019s complete Stravinsky Conducts Stravinsky series on 22 CDs for $45. Others from Sony are complete editions of Toscanini, Rubinstein, and Heifetz, with Horowitz on the way. Universal has released sets of Curzon, Ferrier, the complete operas of Wagner and Verdi, Solti\u2019s Wagner <em>Ring <\/em>remastered, and two delicious 50-CD boxes of Mercury Living Presence with a third set reportedly in the works. Decca will celebrate the Britten centennial soon with all of the composer\u2019s recordings in one mammoth set. And the prices are IN-<em>SANE<\/em>!<\/p>\n<p><strong>Graffman and Fleisher&#8212;Two OYAPs Complete<\/strong><\/p>\n<p>Sony Classical has just announced upcoming box sets of its complete recordings of Gary Graffman (on RCA and Columbia) and Leon Fleisher (Epic and Columbia), two of the pianists known in the early 1950s as OYAPs\u2014Outstanding Young American Pianists. Others in the group included William Kapell, Julius Katchen, Eugene Istomin, Jacob Lateiner, and Claude Frank.<\/p>\n<p>The 23-CD Fleisher set will be released on the pianist\u2019s 85th birthday, July 23, and includes several famous concerto recordings with George Szell and the Cleveland Orchestra: Beethoven\u2019s 5, the two Brahms, the oft-coupled Grieg and Schumann, and Rachmaninoff\u2019s <em>Paganini <\/em>Rhapsody. After trying out innumerable Beethoven sets over the past 40 years, I\u2019ve given up trying\u2014there are simply none I\u2019ve ever heard to match the Fleisher\/Szells\u2014and the Brahms pair offers a blazing, young man\u2019s view, especially of the turbulent First.<\/p>\n<p>Graffman turns 85 on October 14 and will be f\u00eated with a 24-CD set on September 24th. Among the treasures within will be Rachmaninoff\u2019s Second Concerto and <em>Paganini <\/em>Rhapsody with Bernstein and the New York Philharmonic, Tchaikovsky\u2019s Second and Third Concertos with Ormandy and the Philadelphians, and the famous First with Szell and Cleveland. But my favorite Graffman recording is of the First and Third Prokofiev concertos with Szell and Cleveland. I\u2019ll never forget hearing this Third for the first time; few recordings in my collection trigger goose pimples as vividly.<\/p>\n<p>Both artists, by the way, produced delightful memoirs. Fleisher collaborated with the <em>Washington Post<\/em>\u2019s chief classical music critic, Anne Midgette, in <em>My Nine Lives: A Memoir of Many Careers in Music <\/em>(Doubleday, 2010). Graffman\u2019s alliterative <em>I Really Should Be Practicing: Reflections on the Pleasures and Perils of Playing the Piano in Public <\/em>(Doubleday, 1982) is particularly puckish.<\/p>\n<p>And now, Sony, you could give pianophiles triple pleasure by releasing the Epic and Columbia recordings made by a third American pianist from this generation, Charles Rosen, who died last December at age 85. While hailed for his lucid performances of 20th-century classics\u2014solo works by Debussy, Ravel, Stravinsky, Schoenberg, Bart\u00f3k, Carter, and Boulez\u2014his recordings of works by Bach and Beethoven received equally high acclaim. Rosen was <em>Musical America<\/em>\u2019s Instrumentalist of the Year in 2008.<\/p>\n<p><strong>Lincoln Center Hails Kronos at 40<\/strong><\/p>\n<p>Here\u2019s another cringe-inducing fact of life for old-timers: the Kronos Quartet is celebrating its 40th anniversary this year. (It was disturbing enough when Kronos was on <em>Musical America<\/em>\u2019s cover ten years ago!) So we\u2019ll just note the fact and point out that Lincoln Center Out of Doors is putting on 28 Kronos concerts and events between July 24-28. No one who knows Kronos will be surprised that the most up-to-date accessories will be utilized in its performances, to wit a composition by Dan Deacon that \u201cfeatures one of his most recent crowd-participation creations: a light-show generated by audience smartphones via his downloadable app.\u201d<\/p>\n<p>Here, courtesy of DotDotDotMusic,\u00a0are complete programs.\u00a0Each evening of KRONOS at 40 touches on a distinct programming theme:\u00a0<\/p>\n<ul>\n<li>The opening evening, <span style=\"text-decoration: underline;\">Wednesday, July 24<\/span>, is inspired by the kinetic sounds of Afrobeat music, with <strong>Superhuman Happiness <\/strong>and\u00a0drumming legend <strong>Tony Allen<\/strong>, and members of Broadway&#8217;s <em><strong>Fela!<\/strong><\/em> The festivities begin with Mark Dendy&#8217;s new site-specific dance work for 80 dancers, set to classic Kronos recordings from its Nonesuch catalog.\u00a0<\/li>\n<li>In the <span style=\"text-decoration: underline;\">Thursday, July 25 program<\/span>, indie rock meets eclectic art song with <strong>My Brightest Diamond <\/strong>(Shara Worden),\u00a0multi-instrumentalist\u00a0<strong>Emily Wells<\/strong>, and Ukrainian singer <strong>Mariana Sadovska<\/strong>.\u00a0<\/li>\n<li>Diverse global sounds rule the <span style=\"text-decoration: underline;\">Friday, July 26<\/span> offerings, including Greek singer\/multi-instrumentalist <strong>Magda Giannikou<\/strong>, Irish music supergroup <strong>The Gloaming<\/strong>, and Vietnamese musician\u00a0<strong>V\u00e2n-\u00c1nh Vanessa V\u00f5<\/strong>.\u00a0\u00a0<\/li>\n<li><span style=\"text-decoration: underline;\">Saturday, July 27<\/span> is family day, with kids&#8217; music hero <strong>Dan Zanes<\/strong>, the <strong>Brooklyn Youth Chorus<\/strong>, and the gifted <strong>Pannonia Quartet<\/strong> from the Special Music School&#8217;s\u00a0<strong>Face the Music<\/strong> program.\u00a0<\/li>\n<li>The grand finale, <span style=\"text-decoration: underline;\">Sunday, July 28<\/span>, features premieres by rock experimentalists <strong>Jherek Bischoff<\/strong>, <strong>Dan Deacon<\/strong>, and <strong>Amon Tobin<\/strong>.\u00a0<\/li>\n<\/ul>\n<p>Following are further details, by date and with programs in order of artist appearance; all programs are subject to change.\u00a0<\/p>\n<p>And don&#8217;t forget about the companion exhibition. The New York Library for the Performing Arts at Lincoln Center, Plaza Corridor Gallery, is presenting\u00a0<strong><em>For the Record: The World of Kronos on Nonesuch Records\u00a0<\/em><\/strong>through August 30. The exhibition features original Kronos album cover artwork, composers\u2019 manuscript materials, international awards, Kronos listening stations, and more. Further details at\u00a0<a href=\"http:\/\/click.icptrack.com\/icp\/relay.php?r=41027711&amp;msgid=693710&amp;act=AV7D&amp;c=306126&amp;destination=http%3A%2F%2Fwww.nypl.org%2Flocations%2Flpa\" target=\"_blank\">http:\/\/www.nypl.org\/events\/exhibitions\/record-world-kronos-nonesuch-records.\u00a0<\/a><\/p>\n<hr \/>\n<p><span style=\"text-decoration: underline;\">Wednesday, July 24<\/span>\ufffd<br \/>\nThis concert anticipates the upcoming album release, <em>Red Hot + Fela<\/em>, organized by HIV\/AID awareness and relief organization, Red Hot. The program celebrates the legacy of\u00a0<strong>Fela Anikulapo Kuti<\/strong>, Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music, and human rights activist.\u00a0<\/p>\n<p><strong>6 pm \u2013 Mark Dendy Dance &amp; Theater Projects \u00a0<em>Ritual Cyclical\u00a0<\/em>\u00a0<\/strong>World Premiere<strong>\u00a0<\/strong><em>Josie Robertson Plaza<\/em><\/p>\n<p><strong>7:30 pm \u2013 Superhuman Happiness: Music from <em>How to Survive a Plague<\/em> \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>Red Hot + FELA LIVE! <\/strong><strong>(World premiere)<\/strong><br \/>\nFeaturing: <strong>Tony Allen <\/strong><strong>and<\/strong> <strong>Superhuman Happiness<\/strong><br \/>\nwith<strong> Baloji, Abena Koomson, Kronos Quartet, Sahr Ngaujah<\/strong>,\u00a0 <strong>Sinkane,<\/strong> and <strong>Kalmia Traver<\/strong><br \/>\nMusical Director: <strong>Stuart Bogie<\/strong>\u00a0 \u00a0\u00a0\u00a0<\/p>\n<hr \/>\n<p><span style=\"text-decoration: underline;\">Thursday, July 25<\/span>\ufffd<br \/>\nVocalist\/composer Sadovska joins Kronos in the premiere of her work regarding the catastrophic Chernobyl nuclear plant disaster of 1986, which took place in her native Ukraine.<\/p>\n<p><strong>6 pm \u2013 Mark Dendy Dance &amp; Theater Projects\u00a0<\/strong>(see July 24)\u00a0<em>Josie Robertson Plaza<\/em><\/p>\n<p><strong>7:30 pm \u2013 Kronos Quartet\u00a0<\/strong>with special guest<strong>\u00a0Mariana Sadovska\u00a0<\/strong>(voice):\u00a0<em>Chernobyl.The Harvest.<\/em>\u00a0\u200b<em>\u00a0<\/em>US premiere \u00a0<em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>\u2013 Emily Wells \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>\u2013 My Brightest Diamond \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<hr \/>\n<p><span style=\"text-decoration: underline;\">Friday, July 26<\/span>\ufffd<br \/>\nKronos is joined by Greek composer\/performer Giannikou on the\u00a0<em>laterna<\/em>, a hand-cranked, portable barrel piano popular in Greece in the late 19th and early 20th centuries, and V\u00f5<strong>\u00a0<\/strong>on\u00a0traditional Vietnamese instruments, including the\u00a0<em>dan tranh<\/em>\u00a0zither. Found Sound Nation creates music from passers-by and environmental sounds. \u00a0<\/p>\n<p><strong>4:00 pm \u2013 Found Sound Nation\u00a0 <\/strong><em>Josie Robertson Plaza<\/em><\/p>\n<p><strong>6 pm \u2013 Chinese American Arts Council:\u00a0<\/strong><em>Romance of the Iron Bow \u00a0Josie Robertson Plaza<\/em><\/p>\n<p><strong>7 pm \u2013 Magda Giannikou<\/strong>: traditional Greek laterna music \u00a0<em>Josie Robertson Plaza<\/em><\/p>\n<p><strong>7:30 pm \u2013 The Gloaming \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>\u2013 Kronos Quartet \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>Program to include:<\/strong><br \/>\n<strong>Omar Souleyman <\/strong>(arr. Jacob Garchik):\u00a0 <em>La Sidounak Sayyada (I\u2019ll Prevent the Hunters from Hunting You)<\/em><br \/>\n<strong>Alter Yechiel Karniol<\/strong> (arr. Judith Berkson):\u00a0 <em>Sim Sholom<\/em><br \/>\n<strong>Ramallah Underground<\/strong> (arr. Jacob Garchik): <em>Tashweesh<\/em><\/p>\n<p><strong>Traditional\/Kim Sinh (arr. Jacob Garchik)\u00a0<\/strong>\/\u00a0<em>L\u01b0u th\u1ee7y tr\u01b0\u1eddng<\/em><br \/>\n<strong>V\u00e2n-\u00c1nh Vanessa V\u00f5\u00a0<\/strong>\/ Selections from\u00a0<em>All Clear<\/em>\ufffd<br \/>\n<strong>V\u00e2n-\u00c1nh Vanessa V\u00f5<\/strong>\u00a0\/\u00a0<em>Queen of the Night<\/em>\ufffd<br \/>\n\u00a0 \u00a0\u00a0<span style=\"font-family: arial, helvetica, sans-serif;\">with special guest\u00a0<\/span><strong>V\u00e2n-\u00c1nh Vanessa V\u00f5<\/strong><span style=\"font-family: arial, helvetica, sans-serif;\">,\u00a0<\/span><em>dan tranh<\/em><\/p>\n<p><strong>Ram Narayan<\/strong>\u00a0(arr. Kronos, transc. Ljova): <em>Raga Mishra Bhairavi<\/em>:<em> Alap<\/em><\/p>\n<p><strong>Magda Giannikou \/ <\/strong><em>Strophe in Antistrophe<\/em>\u00a0 World premiere\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \ufffd<br \/>\nwith special guest <strong>Magda Giannikou<\/strong>, <em>laterna,\u00a0<\/em><strong>Keita Ogawa<\/strong> and <strong>Marcelo Woloski<\/strong>, percussion<\/p>\n<hr \/>\n<p><span style=\"text-decoration: underline;\">Saturday, July 27<\/span><br \/>\n&#8220;Family Day&#8221;<br \/>\nFeaturing boundary-stretching, innovative, new work being created for and performed by the next generation of young artists, including many who have collaborated with Kronos. With Latin, Hip-hop, rock, funk band Ozomatli from Los Angeles, and the group&#8217;s family-friendly offshoot, OzoKidz.\u00a0<\/p>\n<p><strong>11:30 am &#8211; 2 pm \/ 4:30 &#8211; 7:30 pm \u2013 Found Sound Nation\u00a0<\/strong>Josie Robertson Plaza<\/p>\n<p><strong>12 pm &#8211; 4 pm \u2013 Craig Woodson, MC<\/strong><em>\u00a0Hearst Plaza<\/em><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Elena Moon Park &amp; Friends<\/strong><br \/>\n<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Face the Music \u2013 Pannonia Quartet<\/strong><br \/>\n<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Aleksandra Vrebalov<\/strong> \/ <em>Pannonia Boundless\u00a0<\/em><br \/>\n<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Steve Reich<\/strong> \/ <em>Different Trains\u00a0<\/em><br \/>\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<strong>Michael Daugherty<\/strong> \/ <em>Sing Sing: J. Edgar Hoover\u00a0<\/em><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Brooklyn Youth Chorus<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Play-Along Concert with Kronos<\/strong><\/p>\n<p><strong>5 pm \u2013 OzoKidz\u00a0 <\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>\u2013 Dan Zanes &amp; Friends: Tribute Lead Belly \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><br \/>\n<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Program to include:<strong>\u00a0Huddie Ledbetter \/\u00a0<\/strong>Grey Goose<\/p>\n<p><strong>8 pm \u2013 Ozomatli\u00a0 <\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<hr \/>\n<p><span style=\"text-decoration: underline;\">Sunday, July 28<\/span>\ufffd<br \/>\nThe final concert of Kronos\u2019s week at LCOOD features experimental pop composer\/electric guitarist Bischoff, who will perform with Kronos; Deacon, who will appear with the group on live electronics, involving the audience with a smartphone app; and, from Russia, 21-year-old Juilliard Teaching Fellow Boguinia, the youngest composer to be premiered by Kronos this season.\u00a0Amon Tobin\u2019s <em>Notoation<\/em>\u00a0receives its East Coast premiere on this program also. Kicking things off are Jacob Garchik&#8217;s self-proclaimed &#8220;atheist trombone shout choir&#8221; The Heavens, and new-music marching band provocateurs Asphalt Orchestra, performing their arrangement of The Pixies&#8217; breakthrough album <em>Surfer Rosa <\/em>on the 25th anniversary of its release.\u00a0<\/p>\n<p><strong>3:30 pm &#8211; 6 pm \u2013 Found Sound Nation \u00a0<\/strong><em>Josie Robertson Plaza<\/em><\/p>\n<p><strong>6 pm<\/strong> \u2013 Parades: <strong>Asphalt Orchestra<\/strong> and\u00a0<strong>Jacob Garchik&#8217;s The Heavens \u00a0<\/strong><em>Josie Robertson Plaza<\/em><\/p>\n<p><strong>6:30 pm \u2013 Asphalt Orchestra\u00a0<\/strong>premieres\u00a0<strong>The Pixies<\/strong>&#8216; <em>Surfer Rosa<\/em><strong>\u00a0\u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>\u2013 Jacob Garchick&#8217;s The Heavens<\/strong><strong>\u00a0\u00a0<\/strong><em>Damrosch Park Bandshell<\/em><\/p>\n<p><strong>\u2013 Kronos Quartet \u00a0<\/strong><em>Damrosch Park Bandshell<\/em><br \/>\n<strong>Program to include:<\/strong><br \/>\n<strong>Bryce Dessner \/ <\/strong><em>Aheym<\/em> (<em>Homeward<\/em>)\ufffd<br \/>\n<strong>Nicole Liz\u00e9e\u00a0<\/strong>\/ <em>Death to Kosmische<\/em>\ufffd<br \/>\n<strong>Clint Mansell\u00a0<\/strong>(arr. Kronos Quartet) \/\u00a0<em>Death is the Road to Awe <\/em>(from <em>The Fountain<\/em>)<br \/>\n<strong>Amon Tobin\u00a0<\/strong>(realized by Joseph Colombo) \/\u00a0<em>V838\u00a0Monocerotis\u00a0<\/em>\u00a0East Coast premiere<br \/>\n<strong>Jherek Bischoff <\/strong><strong>\/\u00a0<\/strong><em>A Semiperfect Number<\/em> \u00a0World premiere<br \/>\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0with special guest Jherek Bischoff,\u00a0<em>bass guitar<\/em><br \/>\n<strong>Yuri Boguinia \/\u00a0<\/strong><em>On the Wings of Pegasus<\/em>\u00a0 World premiere<br \/>\n<strong>Clint Mansell<\/strong> (arr. Kronos Quartet) \/ <em>Death is the Road to Awe<\/em> from <em>The Fountain<\/em><br \/>\n<strong>Dan Deacon \/ <\/strong><em>Four Phases of Conflict<\/em> for string quartet, electronics, and audience \u00a0World premiere<br \/>\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0with special guest Dan Deacon, electronics\u00a0<\/p>\n<hr \/>\n<p>For further details visit\u00a0<a href=\"http:\/\/click.icptrack.com\/icp\/relay.php?r=41027711&amp;msgid=693710&amp;act=AV7D&amp;c=306126&amp;destination=http%3A%2F%2Fwww.lcoutofdoors.org\" target=\"_blank\">http:\/\/www.lcoutofdoors.org<\/a>.\u00a0See you at Lincoln Center!<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=12501\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>by Sedgwick Clark With copyrights soon to expire, several major labels are releasing huge box sets of their holdings for their Last Hurrah at ridiculously low prices. One of the first was Sony Classical\u2019s complete Stravinsky Conducts Stravinsky series on 22 CDs for $45. Others from Sony are complete editions of Toscanini, Rubinstein, and Heifetz, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/12501"}],"collection":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12501"}],"version-history":[{"count":13,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/12501\/revisions"}],"predecessor-version":[{"id":12722,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/12501\/revisions\/12722"}],"wp:attachment":[{"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}