Posts Tagged ‘Beethoven’
Wednesday, March 14th, 2012
by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered […]
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Tags: alex ross, alice tully hall, avery fisher hall, BBC, Beethoven, Berg, carnegie hall, chamber music, Clark, Leinsdorf, leon botstein, metropolitan opera, musical america, New York Philharmonic, Sedgwick, sedgwick clark, Stravinsky, verdi
Posted in Why I Left Muncie | Comments Off on Finding the Right Gimmick
Wednesday, February 29th, 2012
by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New […]
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Tags: Beethoven, carnegie hall, Christine Brewer, Clark, David Merrick, Eric Owens, Howard Kissel, Jeremy Geffen, John Oliver, lincoln center, Maazel, Michelle DeYoung, musical america, New York, philharmonic, Sedgwick, sedgwick clark, Sibelius, Tanglewood, Woody Allen, Zankel
Posted in Why I Left Muncie | Comments Off on New York Was His “Howieland”
Tuesday, February 28th, 2012
Ten years later, I saw Crystal Pite’s “Dark Matters.” Her choreography augured a new movement style, a “Matrix”-like sense of physical wonder. On January 24 at Baryshnikov Arts Center (BAC), Pite’s choreography enthralled the audience. At the end of “The You Show,” made in 2010 with her company Kidd Pivot Frankfurt RM, Pite and her eight dancers received a standing ovation.
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Tags: Baryshnikov Arts Center, Beethoven, Cindy Salgado, Crystal Pite, Dark Matters, Eric Beauchesne, George Balanchine, Hugo Weaving, I don't believe in outer space, Isadora Duncan, Jermaine Maurice Spivey, Jiří Pokorný, Judson Dance Theatre, Keanu Reeves, Kidd Pivot Frankfurt RM, Marines, Martha Graham, Peter Chu, Piano Sonata No. 14 in C Sharp Minor, Robert Sondergaard, Sandra Marin Garcia, The Matrix, The You Show, Three Atmospheric Studies, William Forsythe
Posted in The Torn Tutu | Comments Off on Crystal Pite’s Futuristic Choreography
Wednesday, February 8th, 2012
by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building […]
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Tags: Alan Gilbert, Beethoven, Berg, Boulez, carnegie hall, Clark, copland, Frank Peter Zimmermann, Juilliard, Kurt Masur, leonard bernstein, Lindberg, Magnus Lindberg, Mahler, Mendelssohn, New York, New York Philharmonic, philadelphia orchestra, Sedgwick, sedgwick clark, Stravinsky, Tchaikovsky
Posted in Why I Left Muncie | Comments Off on A Genuine Jolt at the NY Phil
Friday, February 3rd, 2012
By James Jorden Revelation comes in the strangest places. Like, for example, I had this eventual moment of clarity about what it was that went wrong in the Lepage Ring, and what do you think sparked it? Of all things, last night’s performance of Ernani at the Met.
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Tags: Anthony Tommasini, Beethoven, Deborah Voigt, james jorden, musicalamerica, new york times, otto schenk, robert lepage, the machine, wagner
Posted in Rough and Regie | Comments Off on Twilight of the Machine
Thursday, January 26th, 2012
By: Edna Landau To ask a question, please write Ask Edna. I was recently honored to be asked to participate on a panel at the annual Astral Artists auditions, during which I listened to a substantial number of pianists and wind players. While all were on a rather high level, I was struck by the relatively […]
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Tags: askedna, Beethoven, career, classical music, Edna Landau, musicalamerica, Perlman
Posted in Ask Edna, Communicating with Your Audience | Comments Off on The Secret Ingredient for Success
Wednesday, January 11th, 2012
by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends […]
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Tags: Alan Gilbert, alice tully hall, avery fisher hall, Beethoven, Berg, carnegie, carnegie hall, chamber music, colin davis, Juilliard, leon botstein, Lindberg, New York Philharmonic, sedgwick clark, Stravinsky
Posted in Why I Left Muncie | Comments Off on Masterly Mann at Manhattan
